| Making European Cult Cinema: Fan Enterprise in an Alternative Economy O Carter Making European Cult Cinema, 1-232, 2018 | 23 | 2018 |
| Original Climax Films: historicizing the British hardcore pornography film business O Carter Porn Studies 5 (4), 411-425, 2018 | 17 | 2018 |
| “They're Not Pirates, They're Archivists”: The Role of Fans as Curators and Archivists of Popular Music Heritage J Collins, O Carter Preserving Popular Music Heritage, 126-138, 2015 | 16 | 2015 |
| A labour of love: fantrepreneurship in home video media distribution O Carter DVD, Blu-Ray and Beyond: Navigating Formats and Platforms within Media …, 2017 | 8 | 2017 |
| Under the Counter: Britain’s Trade in Hardcore Pornographic 8mm Films O Carter Intellect, 2023 | 5 | 2023 |
| “Every Tongue Brings in a Several Tale”: The Filth and the Fury's Counterhistorical Transgressions AG Ferguson The Music Documentary, 141-156, 2013 | 5* | 2013 |
| Sharing All’Italiana. The Reproduction and Distribution of the Giallo on Torrent File-Sharing Websites O Carter BRAGA, R.; CARUSO, G. The Piracy Effect. Milano: Mimesis Cinergie, 2013 | 5 | 2013 |
| Satisfaction Guaranteed: Your Choice and the Transnational Distribution of Hardcore Pornography Between the Netherlands and Britain O Carter Enterprise & Society 24 (3), 811-837, 2023 | 3 | 2023 |
| The Watford Blue Movie Trial: Regulating Rollers in 1970s Britain O Carter Porn Studies 9 (1), 82-100, 2022 | 2 | 2022 |
| Making European cult cinema: fan production in an alternative economy O Carter Birmingham City University, 2013 | 2 | 2013 |
| Investigating the Illicit: The Material Traces of Britain's Early Trade in Obscene 8mm Films O Carter Media Materialities, 21-40, 2023 | 1 | 2023 |
| ‘Pornophobia’: Lord Porn and the fall of Britain’s domestic pornography trade O Carter Porn Studies 10 (4), 340-347, 2023 | 1 | 2023 |
| Pure cheek: the Ben Dover story O Carter Porn Studies, 1-11, 2023 | 1 | 2023 |
| Golden ages? Media, space and transnationality O Carter, T Gustafsson, M Larsson Porn Studies 9 (1), 4-9, 2022 | 1 | 2022 |
| The Dragon Lives Again: Distributing ‘Bruceploitation’via Home Entertainment O Carter, S Barber Cult Media: Re-packaged, Re-released and Restored, 161-180, 2017 | 1 | 2017 |
| “Slash Production”: Objectifying the Serial “Kiler” in Euro-Cult Cinema Fan Production O Carter Murders and Acquisitions: Representations of the Serial Killer in Popular …, 2013 | 1 | 2013 |
| Media Materialities: Form, Format, and Ephemeral Meaning IA Taylor, O Carter Intellect Books, 2023 | | 2023 |
| Porn Studies, Volume 9, Issue 1 (2022): Transnational Porn O Carter, T Gustafsson, M Larsson Taylor & Francis, 2022 | | 2022 |
| Introduction: inside the British adult entertainment business O Carter Porn Studies 5 (4), 456-456, 2018 | | 2018 |
| MIMESIS INTERNATIONAL F Attwood, M Baltar, P Baudry, O Carter, G Manzoli, WF Mühleisen, ... | | |
