| Towards a perceptual model of'punch'in musical signals S Fenton, H Lee | 19 | 2015 |
| Objective measurement of music quality using inter-band relationship analysis S Fenton, JP Wakefield, B Fazenda | 18 | 2011 |
| Objective profiling of perceived punch and clarity in produced music S Fenton, JP Wakefield | 17 | 2012 |
| A Perceptual Model of “Punch” Based on Weighted Transient Loudness S Fenton, H Lee Journal of the Audio Engineering Society 67 (6), 429-439, 2019 | 12 | 2019 |
| Automatic mixing of multitrack material using modified loudness models S Fenton Audio Engineering Society Convention 145, 2018 | 10 | 2018 |
| Elicitation and Objective Grading of ‘Punch’Within Produced Music S Fenton, H Lee, JP Wakefield AES, 2014 | 7 | 2014 |
| Real-Time System for the Measurement of Perceived Punch A Parker, S Fenton, H Lee Audio Engineering Society Convention 145, 2018 | 4 | 2018 |
| Alternative weighting filters for multi-track program loudness measurement S Fenton, H Lee | 4 | 2017 |
| Evaluation of a Perceptually-Based Model of “Punch” with Music Material S Fenton, H Lee, J Wakefield Audio Engineering Society Convention 141, 2016 | 4 | 2016 |
| Hybrid Multiresolution Analysis Of ‘Punch’In Musical Signals S Fenton, H Lee, JP Wakefield | 4 | 2015 |
| Use of Immersive Audio as an Assistive Technology for the Visually Impaired–A Systematic Review C Jones, S Fenton Audio Engineering Society Conference: AES 2023 International Conference on …, 2023 | 3 | 2023 |
| A semantically motivated gestural interface for the control of a dynamic range compressor T Wilson, S Fenton, M Stephenson Audio Engineering Society Convention 138, 2015 | 3 | 2015 |
| Objective quality measurement of audio using multiband dynamic range analysis S Fenton, B Fazenda, JP Wakefield | 3 | 2009 |
| An Investigation Into Immersive Contemporary Popular Music Mixing Practice Through Analysis of Released music A Bourbon, M Watson, D Stelmach, M Champion, A Chomal, S Fenton, ... AES International Conference on Spatial and Immersive Audio, 58, 2023 | 2 | 2023 |
| Musical Mix Clarity Prediction Using Decomposition and Perceptual Masking Thresholds A Parker, S Fenton Applied Sciences 11 (20), 9578, 2021 | 2 | 2021 |
| Mix Clarity Prediction using Multiresolution Inter-Band Relationship Analysis A Parker, S Fenton Audio Engineering Society Convention 148, 2020 | 2 | 2020 |
| Can Transistors Sound like Valves? M Aitchison, S Fenton University of Huddersfield, 2010 | 2 | 2010 |
| An Ultra-Low Energy Solution for Large-Scale Distributed Audio Monitoring S Fenton IEEE Access 11, 2156-2163, 2023 | 1 | 2023 |
| Modelling of the Fender Bassman 5F6-A tone stack S Fenton arXiv preprint arXiv:2110.02285, 2021 | 1 | 2021 |
| Development of a Real-time Punch Meter Plugin A Parker, S Fenton, H Lee 4th Workshop on Intelligent Music Production, 2018 | 1 | 2018 |
Prof Hyunkook LeeProfessor of Audio and Psychoacoustic Engineering, University of Huddersfield在 hud.ac.uk 的电子邮件经过验证