| DAMPER: a platform for effortful interface development P Bennett, N Ward, S O'Modhrain, P Rebelo Proceedings of the 7th international conference on New interfaces for …, 2007 | 29 | 2007 |
| Factors Influencing Listener Preference for Dynamic Range Compression M Ronan, R Sazdov, N Ward Audio Engineering Society Convention 137, 2014 | 14 | 2014 |
| Designing and measuring gesture using laban movement analysis and electromyogram N Ward, M Ortiz, F Bernardo, A Tanaka Proceedings of the 2016 ACM International Joint Conference on Pervasive and …, 2016 | 12 | 2016 |
| The use of physical theatre improvisation in game design H O'Shaughnessy, N Ward Proceedings of the 8th Nordic Conference on Human-Computer Interaction: Fun …, 2014 | 9 | 2014 |
| Loudness Normalisation: Paradigm Shift or Placebo for the Use of Hyper-Compression in Pop Music? M Ronan, R Sazdov, N Ward ICMC, 2014 | 9 | 2014 |
| The Perception of Hyper-Compression by Untrained Listeners M Ronan, N Ward, R Sazdov Audio Engineering Society Conference: 60th International Conference: DREAMS …, 2016 | 8 | 2016 |
| A study of two thereminists: Towards movement informed instrument design N Ward, K Penfield, S OʼModhrain, RB Knapp 8 th International Conference on New Interfaces for Musical Expression …, 2008 | 8 | 2008 |
| Identifying and Validating Program Material: A Hyper-Compression Perspective M Ronan, N Ward, R Sazdov Audio Engineering Society Convention 139, 2015 | 7 | 2015 |
| Constraining Movement as a Basis for DMI Design and Performance N Ward, G Torre The International Conference on New Interfaces for Musical Expression, 2014 | 7 | 2014 |
| Effortful interaction: a new paradigm for the design of digital musical instruments N Ward Queen's University Belfast, 2013 | 7 | 2013 |
| Distributed Agency in Performance P Stapleton, S Waters, N Ward, O Green Proc. of International Conference on Live Interfaces, 2016 | 6 | 2016 |
| The Perception of Hyper-Compression by Mastering Engineers M Ronan, N Ward, R Sazdov, H Lee Journal of the Audio Engineering Society 65 (7/8), 613-621, 2017 | 5 | 2017 |
| Investigating the Sound Quality Lexicon of Analogue Compression Using Category Analysis M Ronan, N Ward, R Sazdov Audio Engineering Society Convention 138, 2015 | 5 | 2015 |
| Learning from the crackle exhibition K Andersen, N Ward Proceedings of the Eleventh International Conference on Tangible, Embedded …, 2017 | 4 | 2017 |
| Exploring the sound quality dimensions of hyper-compression M Ronan, N Ward, R Sazdov Innovation in Music II, 36-51, 2017 | 4 | 2017 |
| Considerations When Calibrating Program Material Stimuli Using LUFS M Ronan, N Ward, R Sazdov Audio Engineering Society Convention 140, 2016 | 4 | 2016 |
| An investigation into the sound quality lexicon of analogue compressors using category analysis M Ronan, N Ward, R Sazdov AES 138 Convention, 2015 | 4 | 2015 |
| Tightly Coupled Agents in Live Performance Metacreations W Marley, N Ward Proceedings of the 2015 ACM SIGCHI Conference on Creativity and Cognition …, 2015 | 3 | 2015 |
| Gestroviser: Toward Collaborative Agency in Digital Musical Instruments. W Marley, N Ward Proceedings of the International Conference on New Interfaces for Musical …, 2015 | 3 | 2015 |
| Ordnance Survey: Exploring Activity through Large Scale Topologies and Auditory Mappings T Davis, N Ward Parsons Journal for Information Mapping 2 (1), 2010 | | 2010 |
Robert SazdovUniversity of Technology SydneyEmail được xác minh tại uts.edu.au