| Perceptual Investigation into envelopment, spatial clarity, and engulfment in reproduced multi-channel audio R Sazdov, G Paine, K Stevens AES 31st International Conference, 2007 | 43* | 2007 |
| A perceptual investigation into spatialization techniques used in multichannel electroacoustic music for envelopment and engulfment H Lynch, R Sazdov Computer Music Journal 41 (1), 13-33, 2017 | 22 | 2017 |
| Factors influencing listener preference for dynamic range compression M Ronan, R Sazdov, N Ward Audio Engineering Society Convention 137, 2014 | 14 | 2014 |
| An Investigation into Compositional Techniques Utilized for the Three-dimensional Spatialization of Electroacoustic Music H Lynch, R Sazdov Proceedings of the Electroacoustic Music Studies Conference, New York, 2011 | 14 | 2011 |
| Loudness normalisation: paradigm shift or placebo for the use of hyper-compression in pop music? M Ronan, R Sazdov, N Ward ICMC, 2014 | 9 | 2014 |
| The perception of hyper-compression by untrained listeners M Ronan, N Ward, R Sazdov Audio Engineering Society Conference: 60th International Conference: DREAMS …, 2016 | 8 | 2016 |
| The effect of elevated loudspeakers on the perception of engulfment, and the effect of horizontal loudspeakers on the perception of envelopment R Sazdov International Conference on Spatial Audio, 10-13, 2011 | 8 | 2011 |
| Identifying and validating program material: a hyper-compression perspective M Ronan, N Ward, R Sazdov Audio Engineering Society Convention 139, 2015 | 7 | 2015 |
| The EU Project ORPHEUS. Object-based broadcasting-for next generation audio experiences A Silzle VDT-Magazin, 2017 | 6 | 2017 |
| The Perception of Hyper-Compression by Mastering Engineers M Ronan, N Ward, R Sazdov, H Lee Journal of the Audio Engineering Society 65 (7/8), 613-621, 2017 | 5 | 2017 |
| Investigating the sound quality lexicon of analogue compression using category analysis M Ronan, N Ward, R Sazdov Audio Engineering Society Convention 138, 2015 | 5 | 2015 |
| An ecologically valid experiment for the comparison of established spatial techniques H Lynch, R Sazdov International Computer Music Conference, 2011 | 5 | 2011 |
| Considerations when calibrating program material stimuli using LUFS M Ronan, N Ward, R Sazdov Audio Engineering Society Convention 140, 2016 | 4 | 2016 |
| Exploring the sound quality dimensions of hyper-compression M Ronan¹, N Ward, R Sazdov Innovation in Music II, 36, 2016 | 4 | 2016 |
| Envelopment vs. Engulfment: Multidimensional scaling on the effect of spectral content and spatial dimension within a three-dimensional loudspeaker setup R Sazdov International Conference on Spatial Audio, 17-20, 2015 | 4 | 2015 |
| An investigation into the sound quality lexicon of analogue compressors using category analysis M Ronan, N Ward, R Sazdov AES 138 Convention, 2015 | 4 | 2015 |
| Configuring SpADE: practical considerations influencing the design of a three-dimensional multi-channel listening environment M Ronan, D Piggott, R Sazdov Irish Sound, Science and Technology Convocation, 1-2, 2012 | 4 | 2012 |
| An Investigation into the perception of Spatial Techniques used in Multi-channel Electroacoustic Music H Lynch, R Sazdov Proceedings of the 2013 ICMC Conference: International Developments in …, 2013 | 3 | 2013 |
| An ecologically valid experiment for the perceptual study of multi-channel electroacoustic music R Sazdov L’Espace du son III. Brussels: Musiques & Recherches, 71-90, 2011 | 3 | 2011 |
| Measuring the influence of audio on immersive experience in extended reality and digital games: A systematic review J Hedges, R Sazdov, A Johnston 2023 Immersive and 3D Audio: from Architecture to Automotive (I3DA), 1-13, 2023 | 2 | 2023 |