| Introduction to Japanese horror film C Balmain Edinburgh University Press, 2008 | 268 | 2008 |
| The global impact of South Korean popular culture: Hallyu unbound CS Anderson, E Balica, C Balmain, P Iadevito, P Kida, V Mazaná, ... Lexington books, 2014 | 112 | 2014 |
| East Asian gothic: A definition C Balmain Palgrave Communications 3 (1), 1-10, 2017 | 23 | 2017 |
| Inside the Well of Lonliness: Towards a Definition of the Japanese Horror Film C Balmain electronic journal of contemporary japanese studies, 2006 | 20 | 2006 |
| The Enemy Within: The Child as Terrorist in the Contemporary American Horror Film C Balmain Monsters and the Monstrous, 133-147, 2007 | 18 | 2007 |
| Korean screen cultures: interrogating cinema, TV, music and online games A Jackson, C Balmain Peter Lang, 2016 | 15 | 2016 |
| Pop goes Korean Popular Culture: an investigation into the popularity of Hallyu culture in the UK C Balmain Lexington Books, 2014 | 8 | 2014 |
| Oriental Nightmares: The'Demonic'Other in Contemporary American Adaptations of Japanese Horror Film. C Balmain At the Interface/Probing the Boundaries 57, 2009 | 8 | 2009 |
| Genre, gender, giallo: the disturbed dreams of Dario Argento CJ Balmain University of Greenwich, 2004 | 8 | 2004 |
| Mario Bava's" The Evil Eye": Realism and the Italian Horror Film C Balmain Post Script 21 (3), 20-31, 2002 | 7 | 2002 |
| Southeast Asian Gothic Cinema C Balmain The Gothic World, 399-411, 2013 | 6 | 2013 |
| the psychoanalytic trap in dario argento’s L’uccello dalle piume di cristallo/The Bird With the Crystal Plumage (1970) C Balmain Horror Studies 3 (2), 223-242, 2012 | 5 | 2012 |
| Flesh and Blood: The Guinea Pig Films C Balmain Asian Cinema 22 (1), 58-69, 2011 | 5 | 2011 |
| Blood is Thicker than Water, or is It? Depictions of ‘Alternative Families’ in Contemporary Korean Cinema J An, A Jackson, C Balmain Korean Screen Cultures: Interrogating Cinema, TV, Music and Online Games, 35-54, 2016 | 4 | 2016 |
| Pan-Asian Gothic C Balmain Globalgothic, 119-132, 2015 | 4 | 2015 |
| Crypto-cannibalism: Meat, murder and monstrosity in Tiwa Moeithasong’s The Meat Grinder C Balmain Horror Studies 5 (2), 249-263, 2014 | 4 | 2014 |
| Female Subjectivity and the Politics of ‘Becoming Other’: Dario Argento’s La Sindrome di Stendhal (The Stendhal Syndrome, 1996) C Balmain Kinoeye 2 (12), 2002 | 4 | 2002 |
| Temporal Reconfigurations in Kubrick’s 2001 C Balmain Enculturation 3 (1), 2000 | 3 | 2000 |
| The Narrative of the Misfit among South Korean Game Developers C Paberz, AD Jackson, C Balmain Korean Screen Cultures Interrogating Cinema, TV, Music and Online Games, 2016 | 2 | 2016 |
| Directory of World Cinema: South Korea C Balmain Intellect, 2013 | 2 | 2013 |
