| The creation and projection of ambiophonic and geometrical sonic spaces with reference to Denis Smalley's Base Metals T Lotis Organised Sound 8 (3), 257-267, 2003 | 21 | 2003 |
| A Prototype System for Sound Recording in Motion T Maragkos, A Mniestris, T Lotis Filigrane. Musique, Sons, Esthétique, Société, 2021 | 1 | 2021 |
| Music Informatics and Computer Music T Lotis, T Diamantopoulos | 1 | 2016 |
| What a Blackbird Has Told Me: Latent Acoustic Learning in the Times of COVID-19 T Lotis Sounds of the Pandemic, 237-248, 2022 | | 2022 |
| Gestural and textural approaches with the Embodied Gestures instruments T Lotis # PLACEHOLDER_PARENT_METADATA_VALUE#, 107-122, 2022 | | 2022 |
| Li Po T Lotis | | 2020 |
| Seven Spaces of Ether T Lotis | | 2020 |
| THE SOUNDSCAPE OF A TERRORIST ATTACK AS MATERIOLOGY FOR LIVE PERFORMANCE AND ITS PERFORMATIVE, SOCIAL AND ETHICAL IMPLICATIONS. T Lotis | | 2018 |
| Ήχος 1: Παρτιτούρα Εικόνας 7.10 Θ Λώτης, Τ Διαμαντόπουλος | | 2016 |
| Έλεγχος και Ελεγκτές. Θ Λώτης, Τ Διαμαντόπουλος | | 2016 |
| The Creation and Projection of Space-Source in Electroacoustic Music. T Lotis ICMC, 2014 | | 2014 |
| Tribalism and local structures in a music and video installation T Lotis Proceedings of the 7th Audio Mostly Conference: A Conference on Interaction …, 2012 | | 2012 |
| Space and light in electroacoustic music T Lotis City University, 2003 | | 2003 |
| Site and Time Specificity In the Performance of Live T LOTIS | | |
| Composing with environmental sounds: A project in secondary education T Lotis | | |
| Site and Time Specificity In the Performance of Live Electronics T LOTIS | | |
