| Emotion and the structure of narrative film: Film as an emotion machine ES Tan Routledge, 2013 | 1498 | 2013 |
| The emotional and cognitive effect of immersion in film viewing VT Visch, ES Tan, D Molenaar Cognition and Emotion 24 (8), 1439-1445, 2010 | 359 | 2010 |
| Film-induced affect as a witness emotion ESH Tan Poetics 23 (1-2), 7-32, 1995 | 332 | 1995 |
| Exploring absorbing reading experiences. MM Kuijpers, F Hakemulder, ES Tan, MM Doicaru Scientific Study of Literature 4 (1), 2014 | 277 | 2014 |
| Entertainment is emotion: The functional architecture of the entertainment experience ESH Tan Media psychology 11 (1), 28-51, 2008 | 271 | 2008 |
| Emotion, art, and the humanities ES Tan Handbook of emotions 3, 116-134, 2000 | 254 | 2000 |
| Predicting advertising effectiveness by facial expressions in response to amusing persuasive stimuli. P Lewinski, ML Fransen, ESH Tan Journal of Neuroscience, Psychology, and Economics 7 (1), 1, 2014 | 240 | 2014 |
| Exploring persistence in gaming: The role of self-determination and social identity JLD Neys, J Jansz, ESH Tan Computers in Human Behavior 37, 196-209, 2014 | 193 | 2014 |
| Sentiment in film viewing ESH Tan Passionate views. Film, cognition, and emotion, 64-84, 1999 | 180 | 1999 |
| A psychology of the film ES Tan Palgrave Communications 4 (1), 2018 | 152 | 2018 |
| The social sharing of emotion (SSE) in online social networks: A case study in Live Journal CTR Hidalgo, ESH Tan, PWJ Verlegh Computers in Human Behavior 52, 364-372, 2015 | 115 | 2015 |
| Categorizing moving objects into film genres: The effect of animacy attribution, emotional response, and the deviation from non-fiction VT Visch, ES Tan Cognition 110 (2), 265-272, 2009 | 108 | 2009 |
| In the mind's eye: Julian Hochberg on the perception of pictures, films, and the world MA Peterson, B Gillam, HA Sedgwick Oxford University Press, 2007 | 79 | 2007 |
| Being moved ES Tan OxfordOxford University Press, 2009 | 78 | 2009 |
| Narrative absorption F Hakemulder, K Bálint, ES Tan, MM Kuijpers John Benjamins Publishing Company, 2017 | 75 | 2017 |
| Narrative versus style: Effect of genre-typical events versus genre-typical filmic realizations on film viewers’ genre recognition V Visch, E Tan Poetics 36 (4), 301-315, 2008 | 67 | 2008 |
| Expressing emotions in blogs: The role of textual paralinguistic cues in online venting and social sharing posts C Rodríguez-Hidalgo, ESH Tan, PWJ Verlegh Computers in Human Behavior 73, 638-649, 2017 | 64 | 2017 |
| Reconceptualizing foregrounding: Identifying response strategies to deviation in absorbing narratives K Bálint, F Hakemulder, M Kuijpers, M Doicaru, ES Tan Scientific Study of Literature 6 (2), 176-207, 2016 | 63 | 2016 |
| Effect of film velocity on genre recognition V Visch, E Tan Media Psychology 9 (1), 59-75, 2007 | 59 | 2007 |
| Suspense, predictive inference, and emotion in film viewing E Tan, G Diteweg Suspense, 149-188, 2013 | 54 | 2013 |
