Caroline Palmer

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Soavtorji

Marcelo M. WanderleyProfessor, Music Technology - McGill UniversityPreverjeni e-poštni naslov na mcgill.ca
Peter PfordresherProfessor, University at Buffalo, SUNYPreverjeni e-poštni naslov na buffalo.edu
Anna ZammAssistant Professor of Cognitive Science, Aarhus UniversityPreverjeni e-poštni naslov na cc.au.dk
Janeen LoehrUniversity of SaskatchewanPreverjeni e-poštni naslov na usask.ca
Alexander P. DemosUniversity of Illinois ChicagoPreverjeni e-poštni naslov na uic.edu
Edward LargeProfessor of Psychological Sciences, University of ConnecticutPreverjeni e-poštni naslov na uconn.edu
Brian MathiasUniversity of AberdeenPreverjeni e-poštni naslov na abdn.ac.uk
Carol Lynne KrumhanslCornell UniversityPreverjeni e-poštni naslov na cornell.edu
Isabelle PeretzProfessor University of MontrealPreverjeni e-poštni naslov na umontreal.ca
Werner GoeblProfessor, Head of Department of Music Acoustics, mdw – University of Music and Performing ArtsPreverjeni e-poštni naslov na mdw.ac.at
Steven R. LivingstoneOntario Tech UniversityPreverjeni e-poštni naslov na ontariotechu.ca
Simone Dalla BellaCo-Director, BRAMS Laboratory; Professor, Dept. of Psychology, University of MontrealPreverjeni e-poštni naslov na umontreal.ca
Rebecca ScheurichPhD Candidate, McGill UniversityPreverjeni e-poštni naslov na mail.mcgill.ca
Sean HutchinsThe Royal Conservatory of MusicPreverjeni e-poštni naslov na rcmusic.ca
Rachel M. BrownResearcher at RWTH Aachen UniversityPreverjeni e-poštni naslov na psych.rwth-aachen.de
Debra TitoneProfessor, McGill UniversityPreverjeni e-poštni naslov na mcgill.ca
Shannon E. WrightAssistant Professor, Psychology, University of the Fraser ValleyPreverjeni e-poštni naslov na ufv.ca
William Forde ThompsonProfessor of Psychology, Bond University, Music lab, Professor Emeritus, Macquarie UniversityPreverjeni e-poštni naslov na bond.edu.au
Michael H KellyNAXIONPreverjeni e-poštni naslov na naxionthinking.com
Valentin BégelUniversité Paris CitéPreverjeni e-poštni naslov na u-paris.fr

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Caroline Palmer

Professor, Psychology, McGill University

Preverjeni e-poštni naslov na mcgill.ca - Domača stran

auditory cognitive neuroscience sequence learning sensorimotor integration


Naslov Razvrsti po navedbah Razvrsti po letniku Razvrsti po naslovu	Navedeno Navedeno	Leto
Music performance C Palmer Annual review of psychology 48 (1), 115-138, 1997	991	1997
Mental representations for musical meter. C Palmer, CL Krumhansl Journal of Experimental Psychology: Human Perception and Performance 16 (4), 728, 1990	621	1990
Perceiving temporal regularity in music EW Large, C Palmer Cognitive science 26 (1), 1-37, 2002	548	2002
Mapping musical thought to musical performance. C Palmer Journal of experimental psychology: human perception and performance 15 (2), 331, 1989	527	1989
Synchronization of timing and motion among performing musicians W Goebl, C Palmer Music Perception 26 (5), 427-438, 2009	421	2009
Action-based effects on music perception PJ Maes, M Leman, C Palmer, MM Wanderley Frontiers in psychology 4, 1008, 2014	345	2014
Skill acquisition in music performance: relations between planning and temporal control C Drake, C Palmer Cognition 74 (1), 1-32, 2000	340	2000
Independent temporal and pitch structures in determination of musical phrases. C Palmer, CL Krumhansl Journal of Experimental Psychology: Human Perception and Performance 13 (1), 116, 1987	319	1987
Accent structures in music performance C Drake, C Palmer Music perception 10 (3), 343-378, 1993	273	1993
Born to dance but beat deaf: A new form of congenital amusia J Phillips-Silver, P Toiviainen, N Gosselin, O Piché, S Nozaradan, ... Neuropsychologia 49 (5), 961-969, 2011	252	2011
Pitch and temporal contributions to musical phrase perception: Effects of harmony, performance timing, and familiarity C Palmer, CL Krumhansl Perception & Psychophysics 41 (6), 505-518, 1987	222	1987
Effects of auditory and motor mental practice in memorized piano performance Z Highben, C Palmer Bulletin of the Council for Research in Music Education, 58-65, 2004	218	2004
Anatomy of a performance: Sources of musical expression C Palmer Music Perception 13 (3), 433-453, 1996	213	1996
Incremental planning in sequence production. C Palmer, PQ Pfordresher Psychological Review 110 (4), 683, 2003	206	2003
Conceptual and motor learning in music performance C Palmer, RK Meyer Psychological Science 11 (1), 63-68, 2000	201	2000
Linguistic prosody and musical meter in song C Palmer, MH Kelly Journal of memory and language 31 (4), 525-542, 1992	198	1992
Tactile feedback and timing accuracy in piano performance W Goebl, C Palmer Experimental Brain Research 186, 471-479, 2008	197	2008
Auditory feedback and memory for music performance: Sound evidence for an encoding effect S Finney, C Palmer Memory & cognition 31 (1), 51-64, 2003	192	2003
Units of knowledge in music performance. C Palmer, C Van de Sande Journal of Experimental Psychology: Learning, Memory, and Cognition 19 (2), 457, 1993	191	1993
On the assignment of structure in music performance C Palmer Music Perception 14 (1), 23-56, 1996	165	1996

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