The cinematic body S Shaviro U of Minnesota Press, 1994 | 1981 | 1994 |
Post cinematic affect S Shaviro John Hunt Publishing, 2010 | 1022 | 2010 |
The universe of things S Shaviro Theory & Event 14 (3), 2011 | 798 | 2011 |
Without criteria: Kant, whitehead, deleuze, and aesthetics S Shaviro MIT press, 2012 | 744 | 2012 |
Connected: Or what it means to live in the network society S Shaviro U of Minnesota Press, 2003 | 451 | 2003 |
No speed limit: three essays on accelerationism S Shaviro U of Minnesota Press, 2015 | 232 | 2015 |
Discognition S Shaviro Watkins Media Limited, 2016 | 199 | 2016 |
Passion & excess: Blanchot, Bataille, and literary theory S Shaviro (No Title), 1990 | 143 | 1990 |
Doom patrols: a theoretical fiction about postmodernism S Shaviro (No Title), 1997 | 117 | 1997 |
Post-Cinematic Affect: On Grace Jones, Boarding Gate and Southland Tales S Shaviro Film-Philosophy 14 (1), 1-102, 2010 | 115 | 2010 |
The actual volcano: Whitehead, Harman, and the problem of relations S Shaviro | 87 | 2011 |
Consequences of panpsychism S Shaviro The nonhuman turn 19, 2015 | 83 | 2015 |
Digital music videos S Shaviro Rutgers University Press, 2017 | 75 | 2017 |
Two lessons from Burroughs S Shaviro Posthuman bodies 38 (54), 1995 | 75 | 1995 |
Accelerationist aesthetics: Necessary inefficiency in times of real subsumption S Shaviro e-flux journal 47, 2013 | 63 | 2013 |
Post-continuity: an introduction S Shaviro Reframe Books, 2016 | 52 | 2016 |
The ‘bitter necessity’of debt: Neoliberal finance and the society of control S Shaviro Retrieved February 8, 2014, 2010 | 50 | 2010 |
The Cinematic Body REDUX S Shaviro Parallax 14 (1), 48-54, 2008 | 50 | 2008 |
1. Contagious Allegories: George Romero SJ Lauro Zombie theory: A reader, 7-19, 2017 | 48 | 2017 |
Emotion capture: affect in digital film S Shaviro Projections 1 (2), 37-56, 2007 | 48 | 2007 |