| Navigating control and illusion: functional interactivity versus ‘faux-interactivity’in transmedia dance performance JB Vincent, C Vincent, K Vincs, J McCormick International Journal of Performance Arts and Digital Media 12 (1), 44-60, 2016 | 13 | 2016 |
| The status of women in the Canadian arts and cultural industries A Coles, K MacNeill, JB Vincent, C Vincent, P Barré Research review 2018, 2010 | 13 | 2010 |
| Controversy, uncertainty and the diverse public in cultural diplomacy: Australia–China relations K Johanson, A Coles, H Glow, C Vincent Australian Journal of International Affairs 73 (4), 397-413, 2019 | 12 | 2019 |
| The intersection of live and digital: new technical classifications for digital scenography in opera C Vincent, JB Vincent, K Vincs, K Johanson Theatre and Performance Design 3 (3), 155-171, 2017 | 11 | 2017 |
| Digital scenography in opera in the twenty-first century C Vincent Routledge, 2021 | 10 | 2021 |
| The impacts of digital initiatives on musicians during COVID-19: Examining the Melbourne Digital Concert Hall C Vincent Cultural Trends 32 (3), 247-263, 2023 | 9 | 2023 |
| Opera-ting on inequality: gender representation in creative roles at The Royal Opera C Vincent, A Coles, JB Vincent Cultural Trends 31 (3), 205-221, 2022 | 7 | 2022 |
| Giving It Away for Free—Why the Performing Arts Risks Making the Same Mistake Newspapers Did C Vincent The Conversation 3, 2020 | 7 | 2020 |
| Who did you meet at the venice biennale? Education-to-work transition enhancers for aspiring arts professionals in Australia C Vincent, H Glow, K Johanson, B Coate Work, Employment and Society 37 (2), 315-332, 2023 | 6 | 2023 |
| Is there a ‘Venice Effect’? Participation in the Venice Biennale and the implications for artists’ careers K Johanson, B Coate, C Vincent, H Glow Poetics 92, 101619, 2022 | 6 | 2022 |
| Artworks-spawning-artworks: trans-disciplinary approaches to artistic spin-offs and evolution in the dance and digital context JB Vincent, C Vincent, K Vincs, S Delahunta, J McCormick Digital Echoes: Spaces for Intangible and Performance-based Cultural …, 2018 | 6 | 2018 |
| Notation by context: Digital scenography as artifact of authorial intent C Vincent, JB Vincent Leonardo Music Journal 28, 72-76, 2018 | 4 | 2018 |
| The status of women in the Canadian arts and cultural industries: research review 2010-2018 A Coles, K MacNeill, JB Vincent, C Vincent, P Barre Deakin University, 2018 | 4 | 2018 |
| Digital scenography in opera in the twenty-first century CC Vincent Deakin University, 2018 | 2 | 2018 |
| Risky business: policy legacy and gender inequality in Australian opera production C Vincent, K Johanson, B Coate International Journal of Cultural Policy 30 (5), 631-646, 2024 | 1 | 2024 |
| Controversy K Johanson, A Coles, H Glow, C Vincent Uncertainty and the Diverse Public in Cultural, 2019 | 1 | 2019 |
| Arts employability and extracurricular communities of practice: A case study of the University of Melbourne’s creative community connections K Goodwin, C Vincent Arts and Humanities in Higher Education, 14740222241260951, 2024 | | 2024 |
| Unequal opera-tunities: gender inequality and non-standard work in US opera production C Vincent, A Coles Equality, Diversity and Inclusion: An International Journal 43 (2), 268-282, 2024 | | 2024 |
| Identifying trends, assessing response: gender representation at the Royal Opera C Vincent, JB Vincent, A Coles Deakin University, 2020 | | 2020 |
| Innovative practices: review of Victoria's LLENs activities and their outcomes C Vincent, K Douglas, P Fairbrother, T Denham University Of Tasmania, 2019 | | 2019 |
Jordan Beth VincentExecutive Manager/Head of Sales and Strategy, Fika Entertainment (Deakin Research Innovations)Подтвержден адрес электронной почты в домене deakin.edu.au
