| Contemporary Spanish cinema and genre JBVR Ortega Manchester University Press, 2008 | 59* | 2008 |
| Transnational stardom: International celebrity in film and popular culture R Meeuf, R Raphael Springer, 2013 | 53 | 2013 |
| ‘We pay to buy ourselves’: Netflix, spectators & streaming V Rodríguez Ortega Journal of Communication Inquiry 47 (2), 126-144, 2023 | 40 | 2023 |
| Spoof trailers, hyperlinked spectators & the web VR Ortega new media & society 16 (1), 149-164, 2014 | 33 | 2014 |
| Soccer, nationalism and the media in contemporary Spanish society: La Roja, Real Madrid & FC Barcelona V Rodríguez Ortega Soccer & Society 17 (4), 628-643, 2016 | 32 | 2016 |
| Trailing the Spanish auteur: Almodóvar’s, Amenábar’s and de la Iglesia’s generic routes in the US market VR Ortega Contemporary Spanish cinema and genre, 44-64, 2019 | 17 | 2019 |
| Film Noir, the Thriller, and Horror J Labanyi, A Lázaro‐Reboll, VR Ortega A Companion to Spanish Cinema, 259-290, 2012 | 17 | 2012 |
| Daenerys Targaryen Will Save Spain: Game of Thrones, Politics, and the Public Sphere CC Virino, V Rodriguez Ortega Television & New Media 20 (5), 423-442, 2019 | 11 | 2019 |
| (Almost) Everybody Loves Javier Bardem… “For He is a Good Actor” V Fernández Labayen, M. and Rodríguez Ortega Transnational Stardom: International Celebrity in Film and Popular Culture …, 2013 | 11* | 2013 |
| Identificando o conceito de cinema transnacional VR ORTEGA LOPES, Denilson; FRANÇA, André. Cinema, globalização e interculturalidade …, 2010 | 10 | 2010 |
| “Snuffing” Hollywood: Transmedia Horror in Tesis V Rodríguez-Ortega Senses of Cinema, 2005 | 9 | 2005 |
| Online soccer fandom: from social networking to gaming V Rodríguez Ortega Sport in Society, 1-20, 2019 | 7 | 2019 |
| La ciudad global en el cine contemporáneo: una perspectiva transnacional VR Ortega Asociación Shangrila Textos Aparte, 2012 | 7 | 2012 |
| Surgical passports, the EU and Dirty Pretty Things: Rethinking European identity through popular cinema VR Ortega Studies in European Cinema 8 (1), 21-30, 2011 | 7 | 2011 |
| Digital technology, aesthetic imperfection and political film-making: Illegal bodies in motion VR Ortega Transnational Cinemas 2 (1), 3-19, 2011 | 7 | 2011 |
| The return of Genre in 1990s Spanish Cinema: Industry, legislative changes and economics V Rodríguez Ortega Hispanic Research Journal 21 (1), 3-22, 2020 | 6 | 2020 |
| Piggin’out! Constructing Spanish cultural history through media sampling M Fernández Labayen, V Rodríguez Ortega Sampling media, 87-100, 2014 | 6 | 2014 |
| Spanish Horror Film: Genre, Television and a New Model of Production V Rodríguez Ortega, R Romero Santos European Cinema in the Twenty-First Century: Discourses, Directions and …, 2020 | 5 | 2020 |
| (In) Visible Co-Productions, Spanish Cinema, the Market and the Media V Rodríguez Ortega Bloomsbury Publishing PLC, 2015 | 5 | 2015 |
| Coda. From the Barcelona Olympics to Alcàsser: two images of 1992 and their afterlives V Rodríguez Ortega Journal of Spanish Cultural Studies 21 (1), 97-117, 2020 | 4 | 2020 |
