| Vrengt: a shared body-machine instrument for music-dance performance C Erdem, KH Schia, AR Jensenius arXiv preprint arXiv:2010.03779, 2020 | 34 | 2020 |
| RAW: Exploring control structures for muscle-based interaction in collective improvisation Ç Erdem, AR Jensenius Proceedings of the International Conference on New Interfaces for Musical …, 2020 | 17 | 2020 |
| CAVI: A coadaptive audiovisual Instrument–Composition C Erdem, B Wallace, AR Jensenius NIME 2022, 2022 | 16 | 2022 |
| Exploring relationships between effort, motion, and sound in new musical instruments C Erdem, Q Lan, AR Jensenius Human Technology 16 (3), 310-347, 2020 | 16 | 2020 |
| Biostomp: a biocontrol system for embodied performance using mechanomyography C Erdem, A Camci, A Forbes Proceedings of the International Conference on New Interfaces for Musical …, 2017 | 10 | 2017 |
| Together in Music: Coordination, expression, participation R Timmers, F Bailes, H Daffern Oxford University Press, 2022 | 9 | 2022 |
| Towards playing in the'Air': Modeling motion-sound energy relationships in electric guitar performance using deep neural networks C Erdem, Q Lan, J Fuhrer, CP Martin, J Tørresen, AR Jensenius Proceedings of the SMC Conferences, 177-184, 2020 | 9 | 2020 |
| INTIMAL: Walking to feel place, breathing to feel presence X Alarcón Díaz, VE Gonzalez Sanchez, C Erdem Proceedings of the International Conference on New Interfaces for Musical …, 2019 | 8 | 2019 |
| Gestures in ensemble performance AR Jensenius, Ç Erdem Together in Music: Coordination, Expression, Participation 109, 2021 | 6 | 2021 |
| Sensing place and presence in an intimal long-distance improvisation X Alarcon Diaz, P Boddie, C Erdem, E Aandahl, E Sukken Andersen, ... Journal of Network Music and Arts 1 (1), 3, 2019 | 6 | 2019 |
| Experiencing Rotation and Curvature Gain for Redirected Walking in Virtual Reality EM Kjenstad, HK Ringsby, RJ Gaeb, Ç Erdem, K Kousias, O Alay, ... Proceedings of the 15th International Workshop on Immersive Mixed and …, 2023 | 4 | 2023 |
| What Makes Interactive Art Engaging? M Krzyzaniak, Ç Erdem, K Glette Frontiers in Computer Science 4, 859496, 2022 | 4 | 2022 |
| A system for sonic explorations with evolutionary algorithms BÞ Jónsson, Ç Erdem, K Glette Journal of the Audio Engineering Society 72 (4), 257-266, 2024 | 3 | 2024 |
| Towards Sound Innovation Engines Using Pattern-Producing Networks and Audio Graphs BÞ Jónsson, Ç Erdem, S Fasciani, K Glette International Conference on Computational Intelligence in Music, Sound, Art …, 2024 | 3 | 2024 |
| Controlling or Being Controlled? Exploring Embodiment, Agency and Artificial Intelligence in Interactive Music Performance Ç Erdem | 3 | 2022 |
| First a guitarist, then a drummer plays with CAVI Ç Erdem | 2 | 2021 |
| Tool or Actor? Expert Improvisers' Evaluation of a Musical AI “Toddler” Ç Erdem, B Wallace, K Glette, AR Jensenius Computer Music Journal 46 (4), 26-42, 2022 | 1 | 2022 |
| Breathing (as Listening): An emotional bridge for telepresence X Alarcón-Díaz The Body in Sound, Music and Performance, 243-264, 2022 | 1 | 2022 |
| Me & My Musical AI" Toddler" C Erdem, AR Jensenius NIME 2022, 2022 | 1 | 2022 |
| Measuring virtual audiences with the musiclab app: Proof of concept D Swarbrick, F Upham, C Erdem, AR Jensenius, JK Vuoskoski Proceedings of the SMC Conferences, 2022 | 1 | 2022 |
Alexander Refsum JenseniusProfessor of Music Technology, Director of RITMO, University of OsloE-mail confirmado em imv.uio.no