| Musical exploration via streaming services: The Norwegian experience Y Kjus Popular Communication 14 (3), 127-136, 2016 | 114 | 2016 |
| Idolizing and monetizing the public: The production of celebrities and fans, representatives and citizens in reality TV Y Kjus International Journal of Communication 3, 24, 2009 | 61 | 2009 |
| Live and recorded: Music experience in the digital millennium Y Kjus Springer, 2018 | 60 | 2018 |
| The mediated festival: Live music as trigger of streaming and social media engagement A Danielsen, Y Kjus Convergence 25 (4), 714-734, 2019 | 56 | 2019 |
| Live islands in the seas of recordings: The music experience of visitors at the Øya Festival Y Kjus, A Danielsen Popular Music and Society 37 (5), 660-679, 2014 | 47 | 2014 |
| Everyone needs idols: Reality television and transformations in media structure, production and output Y Kjus European Journal of Communication 24 (3), 287-304, 2009 | 46 | 2009 |
| Reclaiming the music: The power of local and physical music distribution in the age of global online services Y Kjus New Media & Society 18 (9), 2116-2132, 2016 | 37 | 2016 |
| Live mediation: Performing concerts using studio technology Y Kjus, A Danielsen Popular Music 35 (3), 320-337, 2016 | 33 | 2016 |
| Event media: television production crossing media boundaries Y Kjus | 27 | 2009 |
| The use of copyright in digital times: A study of how artists exercise their rights in Norway Y Kjus Popular Music and Society 44 (3), 241-257, 2021 | 26 | 2021 |
| Når publikum blir produsenter. Deltakelse i det kommersielle underholdningsformatet Idol Y Kjus Norsk medietidsskrift 13 (3), 220-241, 2006 | 18 | 2006 |
| Impact of prestige programs on production practices: The case of crossmedia and audience participation in public service organizations Y Kjus Journal of Media Practice 10 (2-3), 167-184, 2009 | 17 | 2009 |
| License to stream? A study of how rights-holders have responded to music streaming services in Norway Y Kjus International Journal of Cultural Policy 28 (1), 61-73, 2022 | 15 | 2022 |
| Ideals and complications in audience participation for PSM. Open up or hold back? Y Kjus From public service broadcasting to public service media, 135-150, 2007 | 15 | 2007 |
| Humor, medier og mennesker Y Kjus, BH Kaare Humor i mediene, 13-35, 2006 | 12 | 2006 |
| Harmonious or out of tune? Cooperation between the television industry and the music business in talent contests of the 2000s Y Kjus Media, Culture & Society 39 (7), 1011-1026, 2017 | 11 | 2017 |
| Twists and turns in the 360 deal: Spinning the risks and rewards of artist–label relations in the streaming era Y Kjus European Journal of Cultural Studies 25 (2), 463-478, 2022 | 10 | 2022 |
| Karnevalets formspråk i humor-TV Y Kjus Norsk medietidsskrift 12 (3), 214-233, 2005 | 10 | 2005 |
| Liveness online in deadly times: How artists explored the expressive potential of live-streamed concerts at the face of COVID-19 in Norway Y Kjus, HS Spilker, H Kiberg First Monday, 2022 | 8 | 2022 |
| Fabricating cultural events: The rise of international programme formats in Norwegian television production Y Kjus MedieKultur: Journal of media and communication research 25 (47), 13 p.-13 p., 2009 | 8 | 2009 |
Anne DanielsenUniversity of Oslo, RITMO Centre for Interdisciplinary Studies in Rhythm, Time and MotionE-mail confirmado em imv.uio.no