Perfis

Marcelo M. Wanderley

Professor, Music Technology - McGill University

E-mail confirmado em mcgill.ca

Citado por 12764

new interfaces for musical expression NIME music technology sound and music computing computer music

Frederic Bevilacqua

IRCAM Paris

E-mail confirmado em ircam.fr

Citado por 11397

Sound and Music Computing Movement and Computing NIME Human Computer Interaction Biomedical Optics

Michael J. Lyons

Professor, Ritsumeikan University (立命館大学), Kyoto

E-mail confirmado em im.ritsumei.ac.jp

Citado por 9172

HCI Perception NIME New Interfaces for Musical Expression

Sergi Jordà Puig

Professor at the Department of Information and Communication Technologies, Universitat …

E-mail confirmado em upf.edu

Citado por 5456

Computational Creativity Tangible Interaction NIME Sound and Music Computing Human Computer Interaction

Alexander Refsum Jensenius

Professor of Music Technology, Director of RITMO, University of Oslo

E-mail confirmado em imv.uio.no

Citado por 4372

Music technology Sound and Music Computing NIME Music Cognition Embodied AI

Georg Essl

University of Wisconsin - Milwaukee

E-mail confirmado em uwm.edu

Citado por 4085

Topological Signal Processing Sound Synthesis NIME Mobile Music Gender in MusTech

Martin Kaltenbrunner

Professor at the Tangible Music Lab, University of Arts Linz

E-mail confirmado em kunstuni-linz.at

Citado por 3901

Human-Computer Interaction Tangible User Interfaces Interactive Surfaces NIME Postdigital Design

Atau Tanaka

Goldsmiths, University of London

E-mail confirmado em goldsmithsdigital.com

Citado por 3719

Music NIME HCI

Andrew McPherson

Chair in Design Engineering and Music, Imperial College London

E-mail confirmado em imperial.ac.uk

Citado por 3427

Augmented Instruments Sound and Music Computing New Interfaces for Musical Expression NIME

Ross Bencina

AudioMulch, PortAudio

E-mail confirmado em audiomulch.com

Citado por 2675

Music Music Software NIME

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