| Performative experience design: where autobiographical performance and human–computer interaction meet J Spence, D Frohlich, S Andrews Digital Creativity 24 (2), 96-110, 2013 | 25 | 2013 |
| Performative experience design J Spence, DM Frohlich, S Andrews CHI'13 Extended Abstracts on Human Factors in Computing Systems, 2049-2058, 2013 | 25 | 2013 |
| Now, where was I? Negotiating time in digitally augmented autobiographical performance J Spence, S Andrews, DM Frohlich Journal of Media Practice 13 (3), 269-284, 2012 | 12 | 2012 |
| Practice as research: Regulations, protocols and guidelines R Nelson, S Andrews Lancaster: Paladine, 2003 | 12 | 2003 |
| Regulations and protocols governing ‘Practice as Research’(PaR) in the performing arts in the UK leading to the award of Ph. D R Nelson, S Andrews PARIP—Practice as Research in Performance website. http://www. bris. ac. uk …, 2003 | 8 | 2003 |
| Performing Home S Andrews Routledge, 2019 | 6 | 2019 |
| Towards ‘strategy as performance’in hazard mitigation: reflections on Performing City Resilience in New Orleans S Andrews, P Duggan Research in Drama Education: The Journal of Applied Theatre and Performance …, 2021 | 4 | 2021 |
| Situation rooms: Performing city resilience in New Orleans S Andrews, P Duggan Liminalities: A journal of performance studies 15 (1), 1-23, 2019 | 4 | 2019 |
| Surge, Sway, and Yaw: Mooring Performances in The Boat Project and A Room for London S Andrews Contemporary Theatre Review 25 (4), 502-517, 2015 | 4 | 2015 |
| Performance as City Pandemic Response: Invitations to Innovate S Andrews, P Duggan Performing City Resilience (PCR), 2021 | 3 | 2021 |
| At Home with Doors: Practising Architectural Elements in Yes, These Eyes Are the Windows and Between 13 and 15 Steps S Andrews Contemporary Theatre Review 27 (4), 462-480, 2017 | 3 | 2017 |
| The Dramaturgy of the Door S Andrews, M Wagner Routledge, 2019 | 2 | 2019 |
| The possibilities of loneliness in a changing world: Performing place in Withdrawn S Andrews Narratives of Loneliness, 198-210, 2017 | 2 | 2017 |
| Collect Yourselves!: Risk, Intimacy, and Dissonance in Intermedial Performance J Spence, S Andrews, D Frohlich Risk, Participation, and Performance Practice: Critical Vulnerabilities in a …, 2017 | 2 | 2017 |
| Practice as Research: regulations, protocols and guidelines,(including Draft ‘best practice’guidelines on PaR PhDs and ‘Ten Steps to a ‘Perfect’PaR PhD). PALATINE S Andrews, R Nelson | 2 | 2003 |
| Practice as Research: regulations, protocols and guidelines S Andrews, R Nelson including Draft ‘best practice’guidelines on PaR PhDs and ‘Ten Steps to a …, 2003 | 2 | 2003 |
| Performing in Never Never Land: The Trafford Centre S Andrews Texts and Nations Conference, Lancaster University, 1999 | 2 | 1999 |
| Placemaking demystified S Andrews International Arts Manager 12 (2), 12-13, 2016 | 1 | 2016 |
| Performance and critical design J Spence, D Frohlich, S Andrews Proceedings of the 2015 British HCI Conference, 228-229, 2015 | 1 | 2015 |
| Walking between: Through place and practice S Andrews, F Bannon Collision: Interarts practice and research, 163-178, 2008 | 1 | 2008 |