Dan Overholt

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Thomas MoeslundProfessor, Aalborg UniversityZweryfikowany adres z create.aau.dk
Steven GelineckMoodagent - Former Assistant Professor, Medialogy, Aalborg University CopenhagenZweryfikowany adres z create.aau.dk
Winslow BurlesonProfessor, University of ArizonaZweryfikowany adres z arizona.edu
Graham WakefieldAssociate Professor, Canada Research Chair, Computational Arts, School of Arts Media PerformanceZweryfikowany adres z yorku.ca
Camilla Nørgaard Jensen, PhDAffiliate Faculty, Arizona State UniversityZweryfikowany adres z asu.edu
Rob HamiltonAssociate Professor, Rensselaer Polytechnic InstituteZweryfikowany adres z rpi.edu
Cumhur ErkutAssociate Professor, Aalborg University CopenhagenZweryfikowany adres z create.aau.dk
Bob L. T. SturmAssociate Professor, KTH Royal Institute of Technology, StockholmZweryfikowany adres z kth.se
Francesco GraniMetaZweryfikowany adres z meta.com
Byron LaheyPhD, Arizona State UniversityZweryfikowany adres z asu.edu
Sofia DahlAssociate Professor in Music perception and Cognition, Aalborg UniversityZweryfikowany adres z create.aau.dk
Alexander Refsum JenseniusProfessor of Music Technology, Director of RITMO, University of OsloZweryfikowany adres z imv.uio.no
Hendrik PurwinsCenter of Excellence for LLMs and GenAI, AccentureZweryfikowany adres z accenture.com
Jim TorresenProfessor University of OsloZweryfikowany adres z ifi.uio.no
Georgios A TriantafyllidisAssociate Professor, Aalborg UniversityZweryfikowany adres z create.aau.dk
Rolf NordahlAssociate ProfessorZweryfikowany adres z create.aau.dk
Matthew TurkPresident, TTICZweryfikowany adres z ttic.edu
Stefan ArisonaEsri R&D Center ZurichZweryfikowany adres z arisona.ch
Tobias HöllererProfessor, Computer Science, UC Santa BarbaraZweryfikowany adres z cs.ucsb.edu
Amalia de GötzenAssociate professor Aalborg University CopenhagenZweryfikowany adres z create.aau.dk

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Dan Overholt

Aalborg University Copenhagen

Zweryfikowany adres z create.aau.dk

sound_and_music_computing new_interfaces_for_musical_expression sonic_interaction_design


Tytuł Sortuj wg cytatów Sortuj wg roku Sortuj wg tytułu	Cytowane przez Cytowane przez	Rok
The overtone violin D Overholt Proceedings of the 2005 conference on New interfaces for musical expression …, 2005	87	2005
Advancements in actuated musical instruments D Overholt, E Berdahl, R Hamilton Organised Sound 16 (2), 154-165, 2011	80	2011
The musical interface technology design space D Overholt Organised Sound 14 (2), 217-226, 2009	67	2009
The prospects of musical instruments for people with physical disabilities JV Larsen, D Overholt, TB Moeslund Proceedings of the International Conference on New Interfaces for Musical …, 2016	52	2016
The overtone fiddle: an actuated acoustic instrument D Overholt New Interfaces for Musical Expression, 4-7, 2011	51	2011
The Allobrain: An interactive, stereographic, 3D audio, immersive virtual world J Thompson, JA Kuchera-Morin, M Novak, D Overholt, L Putnam, ... International Journal of Human-Computer Studies 67 (11), 934-946, 2009	48	2009
The MATRIX: a novel controller for musical expression D Overholt arXiv preprint arXiv:2010.01577, 2020	41	2020
A multimodal system for gesture recognition in interactive music performance D Overholt, J Thompson, L Putnam, B Bell, J Kleban, B Sturm, ... Computer Music Journal 33 (4), 69-82, 2009	39	2009
Musical interaction design with the create usb interface D Overholt Proc. ICMC2006, International Computer Music Conference, New Orleans, 2006	36	2006
Recent developments in violin-related digital musical instruments: where are we and where are we going? C Poepel, D Overholt Proceedings of the 2006 conference on New interfaces for musical expression …, 2006	28	2006
The overtone violin: A new computer music instrument D Overholt ICMC, 2005	28	2005
Self-resonating vibrotactile feedback instruments\|\|: Making, playing, conceptualising:\|\| A Eldridge, C Kiefer, D Overholt, H Ulfarsson PubPub, 2021	24	2021
Towards an interface for music mixing based on smart tangibles and multitouch S Gelineck, D Overholt, M Büchert, J Andersen NIME 2013, 2013	21	2013
HSP v2: Haptic signal processing with extensions for physical modeling E Berdahl, A Kontogeorgakopoulos, D Overholt 5th International Workshop on Haptic and Audio Interaction Design-HAID …, 2010	21	2010
The multimodal music stand B Bell, J Kleban, D Overholt, L Putnam, J Thompson, JA Kuchera-Morin Proceedings of the 7th international conference on New interfaces for …, 2007	20	2007
A faust architecture for the ESP32 microcontroller R Michon, D Overholt, S Letz, Y Orlarey, D Fober, C Dumitrascu Sound and Music Computing Conference (SMC-20), 2020	19	2020
Separating sound from source: sonic transformation of the violin through electrodynamic pickups and acoustic actuation LS Pardue, K Buys, M Edinger, D Overholt, A McPherson NIME 2019 New Interfaces for Musical Expression conference, 278-283, 2019	19	2019
Haptic and visual feedback in 3D audio mixing interfaces S Gelineck, D Overholt Proceedings of the Audio Mostly 2015 on Interaction With Sound, 1-6, 2015	19	2015
The actuated guitar: A platform enabling alternative interaction methods JV Larsen, D Overholt, TB Moeslund SMAC stockholm music acoustics conference 2013 SMC sound and music computing …, 2013	19	2013
Shaping the behaviour of feedback instruments with complexity-controlled gain dynamics C Kiefer, D Overholt, A Eldridge 20th International Conference on New Interfaces for Musical Expression, 343-348, 2020	16	2020

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