| The Web Browser As Synthesizer And Interface C Roberts, G Wakefield, M Wright Proceedings of New Instruments for Musical Expression (NIME), 2013 | 109* | 2013 |
| Instructional tools in educational measurement and statistics (ITEMS) for school personnel: Evaluation of three web‐based training modules R Zwick, JC Sklar, G Wakefield, C Hamilton, A Norman, D Folsom Educational Measurement: Issues and Practice 27 (2), 14-27, 2008 | 61 | 2008 |
| Immersive full-surround multi-user system design JA Kuchera-Morin, M Wright, G Wakefield, C Roberts, D Adderton, ... Computers & Graphics 40, 10-21, 2014 | 53 | 2014 |
| The Allobrain: An interactive, stereographic, 3D audio, immersive virtual world J Thompson, JA Kuchera-Morin, M Novak, D Overholt, L Putnam, ... International Journal of Human-Computer Studies 67 (11), 934-946, 2009 | 48 | 2009 |
| Designing musical instruments for the browser C Roberts, G Wakefield, M Wright, JA Kuchera-Morin Computer Music Journal 39 (1), 27-40, 2015 | 32 | 2015 |
| LuaAV: Extensibility and heterogeneity for audiovisual computing G Wakefield, W Smith, C Roberts Proceedings of Linux Audio Conference, 2010 | 32 | 2010 |
| Third-order Ambisonic extensions for Max/MSP with musical applications G Wakefield ICMC, 2006 | 26 | 2006 |
| Tensions and Techniques in Live Coding Performance. C Roberts, G Wakefield The Oxford Handbook of Algorithmic Music, 293-317, 2018 | 23 | 2018 |
| Airsculpt: A wearable augmented reality 3d sculpting system SA Jang, H Kim, W Woo, G Wakefield Distributed, Ambient, and Pervasive Interactions: Second International …, 2014 | 22 | 2014 |
| Artificial nature: Immersive world making G Wakefield, H Ji Applications of Evolutionary Computing: EvoWorkshops 2009: EvoCOMNET …, 2009 | 21 | 2009 |
| Experiencing audio and music in a fully immersive environment X Amatriain, J Castellanos, T Höllerer, JA Kuchera-Morin, ST Pope, ... International Symposium on Computer Music Modeling and Retrieval, 380-400, 2007 | 21 | 2007 |
| COSM: A toolkit for composing immersive audio-visual worlds of agency and autonomy. G Wakefield, W Smith ICMC, 2011 | 20 | 2011 |
| Real-time meta-programming for interactive computational arts G Wakefield PhD thesis, University of California Santa Barbara, 2012 | 19 | 2012 |
| Incorporating kinesthetic creativity and gestural play into immersive modeling SA Jang, G Wakefield, SH Lee Proceedings of the 4th International Conference on Movement Computing, 1-8, 2017 | 15 | 2017 |
| Mobile Controls On-The-Fly: An Abstraction for Distributed NIMEs C Roberts, G Wakefield, M Wright Proceedings of New Instruments for Musical Expression (NIME), 2012 | 14 | 2012 |
| The AlloBrain: an interactive stereographic, 3D audio immersive environment G Wakefield, JA Kuchera-Morin, M Novak, D Overholt, L Putnam, ... CHI Conference Workshop on Sonic Interaction Design, 2008 | 14 | 2008 |
| Using lua for multimedia composition G Wakefield, W Smith Proceedings of the International Computer Music Conference. San Francisco …, 2007 | 14* | 2007 |
| Collaborative Live-Coding Virtual Worlds with an Immersive Instrument G Wakefield, C Roberts, M Wright, T Wood, K Yerkes Proceedings of New Instruments for Musical Expression (NIME)., 505-508, 2014 | 13* | 2014 |
| Modular reality: Analogues of patching in immersive space M Palumbo, A Zonta, G Wakefield Journal of New Music Research 49 (1), 8-23, 2020 | 12 | 2020 |
| Endogenous biologically inspired art of complex systems HH Ji, G Wakefield IEEE computer graphics and applications 36 (1), 16-21, 2016 | 11 | 2016 |
Charles RobertsAssociate Professor, Worcester Polytechnic InstituteZweryfikowany adres z charlie-roberts.com
