| Machine learning research that matters for music creation: A case study BL Sturm, O Ben-Tal, Ú Monaghan, N Collins, D Herremans, E Chew, ... Journal of New Music Research 48 (1), 36-55, 2019 | 136 | 2019 |
| About dynamic processing in mainstream music E Deruty, D Tardieu Journal of the Audio Engineering Society 62 (1/2), 42-55, 2014 | 65 | 2014 |
| Is music structure annotation multi-dimensional? A proposal for robust local music annotation G Peeters, E Deruty Proc. of 3rd Workshop on Learning the Semantics of Audio Signals, 75-90, 2009 | 63 | 2009 |
| Semiotic structure labeling of music pieces: Concepts, methods and annotation conventions F Bimbot, E Deruty, G Sargent, E Vincent 13th International Society for Music Information Retrieval Conference (ISMIR), 2012 | 59 | 2012 |
| On the Development and Practice of AI Technology for Contemporary Popular Music Production E Deruty, M Grachten, S Lattner, J Nistal, C Aouameur Transactions of the International Society for Music Information Retrieval 5 (1), 2022 | 54 | 2022 |
| Sound indexing using morphological description G Peeters, E Deruty IEEE Transactions on audio, speech, and language processing 18 (3), 675-687, 2010 | 46 | 2010 |
| Dynamic range’and the loudness war E Deruty Sound on Sound, 22-24, 2011 | 39 | 2011 |
| System & contrast: a polymorphous model of the inner organization of structural segments within music pieces F Bimbot, E Deruty, G Sargent, E Vincent Music Perception: An Interdisciplinary Journal 33 (5), 631-661, 2016 | 33 | 2016 |
| Automatic morphological description of sounds GG Peeters, E Deruty Journal of the Acoustical Society of America 123 (5), 3801, 2008 | 30 | 2008 |
| Bassnet: A variational gated autoencoder for conditional generation of bass guitar tracks with learned interactive control M Grachten, S Lattner, E Deruty Applied Sciences 10 (18), 6627, 2020 | 23 | 2020 |
| Semiotic description of music structure: An introduction to the Quaero/Metiss structural annotations F Bimbot, G Sargent, E Deruty, C Guichaoua, E Vincent AES 53rd International Conference on Semantic Audio, P1-1, 2014 | 23 | 2014 |
| Methodology and resources for the structural segmentation of music pieces into autonomous and comparable blocks F Bimbot, E Deruty, G Sargent, E Vincent | 23 | 2011 |
| Human–made rock mixes feature tight relations between spectrum and loudness E Deruty, F Pachet, P Roy Journal of the Audio Engineering Society 62 (10), 643-653, 2014 | 20 | 2014 |
| Goal-oriented mixing E Deruty Proceedings of the 2nd AES Workshop on Intelligent Music Production 13, 2016 | 17 | 2016 |
| The MIR perspective on the evolution of dynamics in mainstream music E Deruty, F Pachet Proceedings of the 16th ISMIR Conference 723, 2015 | 17 | 2015 |
| Production effect: audio features for recording techniques description and decade prediction D Tardieu, E Deruty, C Charbuillet, G Peeters Int. Conference on Digital Audio Effects (DAFx-11), 1-1, 2011 | 12 | 2011 |
| Perceptive study and recommendation for sonification categories P Susini, P Gaudibert, E Deruty, L Dandrel Georgia Institute of Technology, 2003 | 11 | 2003 |
| Methodological and musicological investigation of the System & Contrast model for musical form description E Deruty, F Bimbot, B Van Wymeersch INRIA, 2013 | 9 | 2013 |
| Methodology and conventions for the latent semiotic annotation of music structure F Bimbot, E Deruty, G Sargent, E Vincent | 8 | 2012 |
| Sound navigation: Sonified hyperlinks P Susini, S Vieillard, E Deruty, B Smith, C Marin Georgia Institute of Technology, 2002 | 8 | 2002 |
