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Michael Callahan
Michael Callahan
Associate Professor of Music Theory, Michigan State University
Zweryfikowany adres z msu.edu - Strona główna
Tytuł
Cytowane przez
Cytowane przez
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Teaching and learning undergraduate music theory at the keyboard: Challenges, solutions, and impacts
MR Callahan
Music Theory Online 21 (3), 2015
352015
Sentential Lyric-Types in the Great American Songbook
MR Callahan
Music Theory Online 19 (3), 2013
342013
Techniques of keyboard improvisation in the German Baroque and their implications for today's pedagogy
MR Callahan
University of Rochester, Eastman School of Music, 2010
312010
Teaching Baroque Counterpoint Through Improvisation: An Introductory Curriculum in Stylistic Fluency
M Callahan
Journal of Music Theory Pedagogy 26, 1-41, 2012
222012
Incorporating long-range planning into the pedagogy of Baroque-style keyboard improvisation
M Callahan
Music Performance Research 5, 59-78, 2012
112012
Improvising Motives: Applications of Michael Wiedeburg's Pedagogy of Modular Diminutions
M Callahan
Intégral, 29-56, 2010
112010
Mapping Sum-and-Difference Space: Parallels Between Perle and Lewin
M Callahan
Theory and Practice 33, 181-217, 2008
72008
Learning tonal counterpoint through keyboard improvisation in the twenty-first century. U: Gudio. M.(ur.)
M Callahan
Studies in Historical Improvisation from Cantare Super Librum to Partimenti …, 2017
52017
The role of phrase location in key identification by pitch-class distribution
L VanHandel, M Callahan
Proceedings of the 12th International Conference on Music Perception and …, 2012
52012
Twentieth-and Twenty-first-century Song Cycles: Analytical Pathways Toward Performance
G Sly, MR Callahan
Routledge, 2020
22020
The Art of Partimento: History, Theory, and Practice. By Giorgio Sanguinetti. New York: Oxford University Press, 2012, ix + 385 pages
MR Callahan
Music Theory Spectrum 37 (1), 163-166, 2015
22015
The Archaeologist's Paradise: Digging Through Solo-Polyphonic Ambiguity in the Counterpoint Classroom
M Callahan
Journal of Music Theory Pedagogy 29, 25-71, 2015
22015
The Complete Musician: An Integrated Approach to Theory and Analysis
SG Laitz, MR Callahan
2023
Portrayals of Incongruity in William Bolcom and Sandra Seaton’s From the Diary of Sally Hemings
MR Callahan
Twentieth-and Twenty-First-Century Song Cycles, 177-194, 2020
2020
Pedagogical Pianism in the Music Theory Classroom
M Callahan
The Norton Guide to Teaching Music Theory, 161-181, 2018
2018
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