Davide Rocchesso

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Federico AvanziniFull Professor, University of MilanoZweryfikowany adres z di.unimi.it
Federico FontanaAssociate Professor, University of Udine - ItalyZweryfikowany adres z uniud.it
Stefano Delle MonacheIrcam STSM Lab | Perception and Sound Design groupZweryfikowany adres z ircam.fr
Giovanni De PoliFull Professor of Computer Engineering, University of PadovaZweryfikowany adres z dei.unipd.it
Guillaume LemaitreInstitut de Recherche et de Création Acoustique MusiqueZweryfikowany adres z ircam.fr
Stefano PapettiZurich University of the ArtsZweryfikowany adres z zhdk.ch
Julius SmithProfessor Emeritus of Music and b/c EE, Stanford UniversityZweryfikowany adres z stanford.edu
Roberto BresinProfessor of Media Technology, KTH Royal Institute of technologyZweryfikowany adres z kth.se
Stefano BaldanResearch Assistant, IUAV University of VeniceZweryfikowany adres z iuav.it
carlo drioliUniversità di UdineZweryfikowany adres z uniud.it
Xavier SerraDepartment of Information and Communication Technologies, Universitat Pompeu Fabra (UPF), BarcelonaZweryfikowany adres z upf.edu
Frank PollickProfessor of Psychology, University of GlasgowZweryfikowany adres z glasgow.ac.uk
Sofia DahlAssociate Professor in Music perception and Cognition, Aalborg UniversityZweryfikowany adres z create.aau.dk
Patrick SusiniSTMS (Ircam, CNRS, SU)Zweryfikowany adres z ircam.fr
Davide Andrea MauroKreativInstitut.OWLZweryfikowany adres z uni-paderborn.de
Nicola BernardiniProfessor, Scuola di Musica Elettronica, Conservatorio "Ottorino Respighi" LatinaZweryfikowany adres z conslatina.it
Aina PuceEleanor Cox Riggs Professor, Psychological and Brain Sciences, Indiana UniversityZweryfikowany adres z indiana.edu
Amalia de GötzenAssociate professor Aalborg University CopenhagenZweryfikowany adres z create.aau.dk
Bruno L. GiordanoCNRS - Institut de Neurosciences de la Timone (INT)Zweryfikowany adres z univ-amu.fr
Cumhur ErkutAssociate Professor, Aalborg University CopenhagenZweryfikowany adres z create.aau.dk

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Davide Rocchesso

Professor. Università degli Studi di Milano

Zweryfikowany adres z unimi.it - Strona główna

Sound and Music Computing Interaction Design Sonic Interaction Design Sound Synthesis


Tytuł Sortuj wg cytatów Sortuj wg roku Sortuj wg tytułu	Cytowane przez Cytowane przez	Rok
DAFX-Digital audio effects U Zölzer, X Amatriain, D Arfib, J Bonada, G De Poli, P Dutilleux, ... John Wiley & Sons, 2002	907	2002
The sounding object D Rocchesso, F Fontana Mondo estremo, 2003	223	2003
Circulant and elliptic feedback delay networks for artificial reverberation D Rocchesso, JO Smith IEEE Transactions on Speech and Audio Processing 5 (1), 51-63, 1997	188	1997
Continuous sonic feedback from a rolling ball M Rath, D Rocchesso IEEE MultiMedia 12 (2), 60-69, 2005	166	2005
Elimination of delay-free loops in discrete-time models of nonlinear acoustic systems G Borin, G De Poli, D Rocchesso IEEE Transactions on Speech and Audio Processing 8 (5), 597-605, 2000	166	2000
Sounding objects D Rocchesso, R Bresin, M Fernstrom IEEE MultiMedia 10 (2), 42-52, 2003	137	2003
Multisensory integration of drumming actions: musical expertise affects perceived audiovisual asynchrony K Petrini, S Dahl, D Rocchesso, CH Waadeland, F Avanzini, A Puce, ... Experimental brain research 198, 339-352, 2009	131	2009
Physical modeling of membranes for percussion instruments F Fontana, D Rocchesso Acta Acustica united with Acustica 84 (3), 529-542, 1998	104	1998
Modeling collision sounds: Non-linear contact force F Avanzini, D Rocchesso Proc. COST-G6 Conf. Digital Audio Effects (DAFx-01), 61-66, 2001	98	2001
Interactive simulation of rigid body interaction with friction-induced sound generation F Avanzini, S Serafin, D Rocchesso IEEE transactions on speech and audio processing 13 (5), 1073-1081, 2005	97	2005
Sonic interaction design: sound, information and experience D Rocchesso, S Serafin, F Behrendt, N Bernardini, R Bresin, G Eckel, ... CHI'08 Extended Abstracts on Human Factors in Computing Systems, 3969-3972, 2008	93	2008
Action expertise reduces brain activity for audiovisual matching actions: an fMRI study with expert drummers K Petrini, FE Pollick, S Dahl, P McAleer, L McKay, D Rocchesso, ... Neuroimage 56 (3), 1480-1492, 2011	90	2011
A toolkit for explorations in sonic interaction design SD Monache, P Polotti, D Rocchesso Proceedings of the 5th audio mostly conference: a conference on interaction …, 2010	88	2010
A fast Mellin and scale transform A De Sena, D Rocchesso EURASIP Journal on Advances in Signal Processing 2007, 1-9, 2007	88	2007
On the effectiveness of vocal imitations and verbal descriptions of sounds G Lemaitre, D Rocchesso The journal of the Acoustical Society of America 135 (2), 862-873, 2014	84	2014
Controlling material properties in physical models of sounding objects F Avanzini, D Rocchesso ICMC, 2001	83	2001
Signal-theoretic characterization of waveguide mesh geometries for models of two-dimensional wave propagation in elastic media F Fontana, D Rocchesso IEEE Transactions on Speech and Audio Processing 9 (2), 152-161, 2001	82	2001
Designing continuous sonic interaction D Rocchesso, P Polotti, S Delle Monache International Journal of Design 3 (3), 2009	79	2009
Introduction to sound processing D Rocchesso Mondo estremo, 2003	68	2003
The idea machine: LLM-based expansion, rewriting, combination, and suggestion of ideas G Di Fede, D Rocchesso, SP Dow, S Andolina Proceedings of the 14th Conference on Creativity and Cognition, 623-627, 2022	67	2022

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