| Fake geek girls: Fandom, gender, and the convergence culture industry S Scott Fake Geek Girls, 2019 | 268 | 2019 |
| Repackaging fan culture: The regifting economy of ancillary content models S Scott Transformative Works and Cultures 3 (1.6), 1-11, 2009 | 188 | 2009 |
| Who's Steering the Mothership?: The Role of the Fanboy Auteur in Transmedia Storytelling S Scott The participatory cultures handbook, 43-52, 2012 | 123 | 2012 |
| The moral economy of crowdfunding and the transformative capacity of fan-ancing S Scott New Media & Society 17 (2), 167-182, 2015 | 118 | 2015 |
| Fangirls in refrigerators: The politics of (in) visibility in comic book culture S Scott Transformative Works and Cultures 13, 2013 | 106 | 2013 |
| Public understanding of artificial intelligence through entertainment media K Nader, P Toprac, S Scott, S Baker AI & society 39 (2), 713-726, 2024 | 96 | 2024 |
| Cosplay Is Serious Business": Gendering Material Fan Labor on" Heroes of Cosplay S Scott Cinema Journal 54 (3), 146-154, 2015 | 94 | 2015 |
| The Routledge companion to media fandom MA Click, S Scott Routledge, 2018 | 83 | 2018 |
| # Wheresrey?: Toys, spoilers, and the gender politics of franchise paratexts S Scott Critical Studies in Media Communication 34 (2), 138-147, 2017 | 69 | 2017 |
| Authorized resistance: Is fan production frakked? S Scott Cylons in America: Critical studies in battlestar galactica, 210-223, 2008 | 62 | 2008 |
| Revenge of the fanboy: Convergence culture and the politics of incorporation S Scott University of Southern California, 2011 | 55 | 2011 |
| The trouble with transmediation: Fandom's negotiation of transmedia storytelling systems S Scott Spectator-The University of Southern California Journal of Film and …, 2010 | 44 | 2010 |
| Battlestar Galactica S Scott How to watch television, 320, 2013 | 41 | 2013 |
| Modeling the Marvel everyfan: Agent Coulson and/as transmedia fan culture S Scott Palabra Clave 20 (4), 1042-1072, 2017 | 36 | 2017 |
| The Hawkeye Initiative: Pinning down transformative feminisms in comic-book culture through superhero crossplay fan art S Scott Cinema journal 55 (1), 150-160, 2015 | 33 | 2015 |
| Dawn of the Undead Author: Fanboy Auteurism and Zack Snyder's “Vision” S Scott A companion to media authorship, 440-462, 2013 | 33 | 2013 |
| Representation and diversity in comics studies E Kirkpatrick, S Scott Cinema Journal 55 (1), 120-124, 2015 | 32 | 2015 |
| Towards a theory of producer/fan trolling S Scott Participations: journal of audience and reception studies 15 (1), 143-159, 2018 | 25 | 2018 |
| Police and the professionalization of rape S Scott, A Dickens The Boys in Blue. London: Virago, 1989 | 14 | 1989 |
| Futures of fan studies: A conversation MA Click, J Gray, J Mittell, S Scott The Routledge companion to media fandom, 437-450, 2017 | 13 | 2017 |
