| Designing for exploratory play with a hackable digital musical instrument AP McPherson, A Chamberlain, A Hazzard, S McGrath, S Benford Proceedings of the 2016 ACM conference on designing interactive systems …, 2016 | 36 | 2016 |
| Making music together: an exploration of amateur and pro-am Grime music production S McGrath, A Chamberlain, S Benford Proceedings of the Audio Mostly 2016, 186-193, 2016 | 22 | 2016 |
| Understanding social media and sound: music, meaning and membership, the case of SoundCloud A Chamberlain, S McGrath, S Benford DMRN+10: Digital Music Research Network One-day Workshop 2015, 22nd December …, 2015 | 17 | 2015 |
| The Grime scene: social media, music, creation and consumption S McGrath, A Chamberlain, S Benford Proceedings of the Audio Mostly 2016, 245-250, 2016 | 14 | 2016 |
| GeoTracks: Adaptive music for everyday journeys C Greenhalgh, A Hazzard, S McGrath, S Benford Proceedings of the 24th ACM international conference on Multimedia, 42-46, 2016 | 14 | 2016 |
| The Rough Mile: Reframing Location Through Locative Audio A Hazzard, J Spence, C Greenhalgh, S McGrath Proceedings of the 12th International Audio Mostly Conference on Augmented …, 2017 | 13 | 2017 |
| The user experience of mobile music making: An ethnographic exploration of music production and performance in practice S McGrath, S Love Computers in Human Behavior 72, 233-245, 2017 | 13 | 2017 |
| The Rough Mile: Testing a framework of immersive practice J Spence, A Hazzard, S McGrath, C Greenhalgh, S Benford Proceedings of the 2017 Conference on Designing Interactive Systems, 877-888, 2017 | 11 | 2017 |
| An ethnographic exploration of studio production practice S McGrath, A Hazzard, A Chamberlain, S Benford Proceedings of the 2nd AES Workshop on Intelligent Music Production, London …, 2016 | 3 | 2016 |
| Breaking the workflow: Design heuristics to support the development of usable digital audio production tools: framing usability heuristics for contemporary purposes S McGrath Proceedings of the 15th International Audio Mostly Conference, 130-137, 2020 | 2 | 2020 |
| DESIGNING AND DEVELOPING USER-CENTRED SYSTEMS S McGrath The 4th Workshop on Intelligent Music Production, 2018 | 2 | 2018 |
| Evaluating colour in concept diagrams S McGrath, A Blake, G Stapleton, A Touloumis, P Chapman, M Jamnik, ... International Conference on Theory and Application of Diagrams, 168-184, 2022 | 1 | 2022 |
| The Rough Mile: A Design Template for Locative Audio Experiences A Hazzard, J Spence, C Greenhalgh, S McGrath AES: Journal of the Audio Engineering Society 66 (4), 2018 | 1 | 2018 |
| Evaluating Colour in Concept Diagrams Dataset for Diagrams 2022 S McGrath Goldsmiths, University of London, 2022 | | 2022 |
| The UX of Music Making S McGrath 3rd Workshop on Intelligent Music Production, 2017 | | 2017 |
| Investigating the usability of software systems for music production and distribution SA McGrath Brunel University London, 2015 | | 2015 |
| An Analytical Comparison of Digital Audio Encoding Technologies S McGrath | | 2005 |
