| The Memetics of Music: A neo-Darwinian View of Musical Structure and Culture S Jan Ashgate, 2007 | 123 | 2007 |
| Replicating Sonorities: Towards a Memetics of Music S Jan Journal of Memetics-Evolutionary Models of Information Transmission 4 (1), 2000 | 66 | 2000 |
| Symbolic melodic similarity: State of the art and future challenges V Velardo, M Vallati, S Jan Computer Music Journal 40 (2), 70-83, 2016 | 45 | 2016 |
| Meme Hunting with the Humdrum Toolkit: Principles, Problems, and Prospects S Jan Computer Music Journal 28 (4), 68-84, 2004 | 28 | 2004 |
| Memesatz contra Ursatz: Memetic Perspectives on the Aetiology and Evolution of Musical Structure S Jan Musicae Scientiae 14 (1), 3-50, 2010 | 22 | 2010 |
| Music, Memory, and Memes in the Light of Calvinian Neuroscience S Jan Music Theory Online 17 (2), 2011 | 21 | 2011 |
| The Evolution of a 'Memeplex' in Late Mozart: Replicated Structures in Pamina's 'Ach ich fühl's' S Jan Journal of the Royal Musical Association 128 (2), 329-370, 2003 | 17 | 2003 |
| Using Galant Schemata as Evidence for Universal Darwinism S Jan Interdisciplinary Science Reviews 38 (2), 149-168, 2013 | 14 | 2013 |
| The Selfish Meme: Particularity, Replication, and Evolution in Musical Style S Jan International Journal of Musicology 8, 9-76, 1999 | 14 | 1999 |
| A Memetic Analysis of a Phrase by Beethoven: Calvinian Perspectives on Similarity and Lexicon-Abstraction S Jan Psychology of Music, 2015 | 13 | 2015 |
| The Butterfly schema in the Classical Instrumental Style: A Product of the Tendency for Congruence T Rawbone, S Jan Music Analysis, 2019 | 12 | 2019 |
| Music in Evolution and Evolution in Music S Jan https://www.openbookpublishers.com/books/10.11647/obp.0301, 2022 | 11 | 2022 |
| From Holism to Compositionality: Memes and the Evolution of Segmentation, Syntax and Signification in Music and Language S Jan Language and Cognition 7 (1), 1-38, 2015 | 10 | 2015 |
| Aspects of Mozart's Music in G Minor: Toward the Identification of Common Structural and Compositional Characteristics S Jan New York: Garland, 1995 | 10* | 1995 |
| Aspects of Mozart's Music in G Minor: Towards the Identification of Common Structural and Compositional Features S Jan University of Leeds, 1990 | 10 | 1990 |
| X Marks the Spot: Schenkerian Perspectives on the Minor-Key Classical Development Section S Jan Music Analysis 11 (1), 37-53, 1992 | 9 | 1992 |
| The Memetics of Music and its Implications for Psychology S Jan Proceedings of the Sixth International Conference on Music Perception and …, 2000 | 8 | 2000 |
| "The Two Brothers": Reconciling Perceptual-Cognitive and Statistical Models of Musical Evolution S Jan Frontiers in Psychology 9 (344), 1-15; https://doi.org/10.3389/fpsyg.20, 2018 | 6 | 2018 |
| The Two Brothers: Reconciling Perceptual-Cognitive and Statistical Models of Musical Evolution S Jan Proceedings of the 4th International Conference on New Music Concepts …, 2017 | 6 | 2017 |
| Memetic Perspectives on the Evolution of Tonal Systems S Jan Interdisciplinary Science Reviews 40 (2), 143–165, 2015 | 6* | 2015 |
Valerio VelardoUniversity of HuddersfieldZweryfikowany adres z hud.ac.uk