| The appeal of challenge in the perception of art: How ambiguity, solvability of ambiguity, and the opportunity for insight affect appreciation. C Muth, VM Hesslinger, CC Carbon Psychology of Aesthetics, Creativity, and the Arts 9 (3), 206, 2015 | 146 | 2015 |
| Bateson et al.’s (2006) cues-of-being-watched paradigm revisited. CC Carbon, VM Hesslinger Swiss Journal of Psychology/Schweizerische Zeitschrift für Psychologie/Revue …, 2011 | 69 | 2011 |
| Men in red: A reexamination of the red-attractiveness effect VM Hesslinger, L Goldbach, CC Carbon Psychonomic Bulletin & Review 22 (4), 1142-1148, 2015 | 40 | 2015 |
| Variants of semantic instability (SeIns) in the arts: A classification study based on experiential reports. C Muth, VM Hesslinger, CC Carbon Psychology of Aesthetics, Creativity, and the Arts 12 (1), 11, 2018 | 36 | 2018 |
| #TheDress: The Role of Illumination Information and Individual Differences in the Psychophysics of Perceiving White–Blue Ambiguities VM Hesslinger, CC Carbon i-Perception 7 (2), 2041669516645592, 2016 | 31 | 2016 |
| Da Vinci's Mona Lisa Entering the Next Dimension CC Carbon, VM Hesslinger Perception 42 (8), 887-893, 2013 | 27 | 2013 |
| Attitudes and cognitive distances: On the non-unitary and flexible nature of cognitive maps CC Carbon, VM Hesslinger Advances in cognitive psychology 9 (3), 121, 2013 | 23 | 2013 |
| The sense of being watched is modulated by arousal and duration of the perceptual episode VM Hesslinger, CC Carbon, H Hecht i-Perception 8 (6), 2041669517742179, 2017 | 16 | 2017 |
| Social factors in aesthetics: Social conformity pressure and a sense of being watched affect aesthetic judgments VM Hesslinger, CC Carbon, H Hecht i-Perception 8 (6), 2041669517736322, 2017 | 15 | 2017 |
| On the nature of the background behind Mona Lisa CC Carbon, VM Hesslinger Leonardo 48 (2), 183-184, 2015 | 10 | 2015 |
| Stable aesthetic standards delusion: Changing ‘artistic quality’by elaboration CC Carbon, VM Hesslinger Perception 43 (9), 1006-1013, 2014 | 10 | 2014 |
| Restoring depth to Leonardo's Mona Lisa: was La Gioconda the model for one of the world's earliest attempts at three-dimensional imaging? CC Carbon, VM Hesslinger American Scientist 103 (6), 404-410, 2015 | 6 | 2015 |
| The face of terrorism: Stereotypical Muslim facial attributes evoke implicit perception of threat G Harsányi, M Raab, VM Hesslinger, D Düclos, J Zink, CC Carbon Perception 41 (41 (2012), supplement), 111-111, 2012 | 3 | 2012 |
| Navigating through a volumetric world does not imply needing a full three-dimensional representation CC Carbon, VM Hesslinger Otto-Friedrich-Universität, 2013 | 2 | 2013 |
| Less is More: Perception as a fun way to Rich Minimalism CC Carbon, S Utz, VM Hesslinger i-Perception 13 (2), 20416695221089678, 2022 | 1 | 2022 |
| Unsolvable, yet insightful: The appeal of indeterminate and ambiguous artworks C Muth, VM Hesslinger, CC Carbon PERCEPTION 44, 34-35, 2015 | | 2015 |
| The face of terrorism G Harsányi, M Raab, VM Hesslinger, D Düclos, J Zink, CC Carbon | | |
| Navigating through a volumetric world does not imply needing a full 3D-representation KJ Jeffery, A Jovalekic, M Verriotis, R Hayman, CC Carbon, ... | | |
| Forced ideomotoric empathy T Kämmerer, I Kalpakoula, M Kleber, M Salinas-Rannenberg, C Schmitt, ... | | |
