| Žižek and performance B Chow, A Mangold Palgrave Macmillan, 2014 | 12 | 2014 |
| The Empty ‘I’–Echoes of Subjectivity in Sarah Kane’s Crave A Mangold Consciousness, Theatre, Literature, and the Arts: 2007, 116-125, 2007 | 6 | 2007 |
| Introduction: Performing Žižek: Hegel, Lacan, Marx, and the Parallax View A Mangold Žižek and Performance, 1-12, 2014 | 5 | 2014 |
| reading Barker with lacan: Twenty asides on woman, the one and the real A Mangold Studies in Theatre and Performance 32 (3), 317-319, 2012 | 2 | 2012 |
| Failure, Trauma, and the Theatre of Negativity: The New Tragic in Contemporary Theatre and Performance A Mangold New Theatre Quarterly 35 (1), 33-43, 2019 | 1 | 2019 |
| The Empty I Sarah Kane and the Aesthetics of the New Tragic AC Mangold Aberystwyth University, 2010 | 1 | 2010 |
| Austerity, Brexit, Covid: Short Circuits and a New Identity for Wales A Mangold Global Manifestos for the Twenty-First Century, 164-177, 2023 | | 2023 |
Broderick D.V. ChowRoyal Central School of Speech & Drama, University of LondonEmail verificata su cssd.ac.uk