Stephen McAdams

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Bruno L. GiordanoCNRS - Institut de Neurosciences de la Timone (INT)Email yang diverifikasi di univ-amu.fr
Daniel PressnitzerCNRS & Ecole normale supérieureEmail yang diverifikasi di ens.fr
Hauke EgermannProfessor at University of CologneEmail yang diverifikasi di uni-koeln.de
Alain de Cheveigne'Senior Scientist, CNRS / ENS / Université Paris Descartes / University College LondonEmail yang diverifikasi di ens.fr
Kai SiedenburgGraz University of TechnologyEmail yang diverifikasi di tugraz.at
Guillaume LemaitreInstitut de Recherche et de Création Acoustique MusiqueEmail yang diverifikasi di ircam.fr
Nils PetersAssistant Professor for Acoustics, Audio DSP & ML at Trinity College DublinEmail yang diverifikasi di ieee.org
Marcus PearceQueen Mary University of LondonEmail yang diverifikasi di qmul.ac.uk
David R. W. SearsAssociate Professor, Interdisciplinary Arts, Texas Tech UniversityEmail yang diverifikasi di ttu.edu
Georgios MarentakisØstfold University CollegeEmail yang diverifikasi di hiof.no
Etienne THORETCNRS Research Scientist, Institut de Neurosciences de la TimoneEmail yang diverifikasi di cnrs.fr
Geraint WigginsProfessor of Computational Creativity, Vrije Universiteit Brussel / Queen Mary University of LondonEmail yang diverifikasi di vub.ac.be
Pascal BelinAix-Marseille University, Institut des Neurosciences de La TimoneEmail yang diverifikasi di univ-amu.fr
William M. HartmannProfessor of Physics, Michigan State UniversityEmail yang diverifikasi di pa.msu.edu
Stuart SorokaDepartments of Communication and Political Science, UCLAEmail yang diverifikasi di ucla.edu
Valery NosulenkoInstitute of psychology, Russian academy of sciencesEmail yang diverifikasi di ipras.ru
Albert BregmanEmeritus Professor of Psychology, McGill UniversityEmail yang diverifikasi di mcgill.ca
Jeremy MarozeauTechnical University of DenmarkEmail yang diverifikasi di elektro.dtu.dk
Sophie SavelLaboratoire de Mécanique et d’Acoustique, Centre National de la Recherche Scientifique, UPR 7051Email yang diverifikasi di lma.cnrs-mrs.fr
James W Beauchampprofessor emeritus of electrical and computer engineering and music, university of illinois atEmail yang diverifikasi di illinois.edu

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Stephen McAdams

McGill University

Email yang diverifikasi di mcgill.ca - Beranda

psychoacoustics music psychology cognitive music theory orchestration


Judul Urutkan menurut kutipan Urutkan menurut tahun Urutkan menurut judul	Dikutip oleh Dikutip oleh	Tahun
Perceptual scaling of synthesized musical timbres: Common dimensions, specificities, and latent subject classes S McAdams, S Winsberg, S Donnadieu, G De Soete, J Krimphoff Psychological research 58, 177-192, 1995	943	1995
The timbre toolbox: Extracting audio descriptors from musical signals G Peeters, BL Giordano, P Susini, N Misdariis, S McAdams The Journal of the Acoustical Society of America 130 (5), 2902-2916, 2011	591	2011
News, politics, and negativity S Soroka, S McAdams Political communication 32 (1), 1-22, 2015	506	2015
Thinking in sound: The cognitive psychology of human audition. SE McAdams, EE Bigand Based on the fourth workshop in the Tutorial Workshop series organized by …, 1993	448	1993
Hearing musical streams S McAdams, A Bregman Computer Music Journal, 26-60, 1979	421	1979
Recognition of sound sources and events S McAdams Thinking in sound: The cognitive psychology of human audition 146, 198, 1993	387	1993
Acoustic correlates of timbre space dimensions: A confirmatory study using synthetic tones A Caclin, S McAdams, BK Smith, S Winsberg The Journal of the Acoustical Society of America 118 (1), 471-482, 2005	383	2005
Enhanced pure-tone pitch discrimination among persons with autism but not Asperger syndrome A Bonnel, S McAdams, B Smith, C Berthiaume, A Bertone, V Ciocca, ... Neuropsychologia 48 (9), 2465-2475, 2010	328	2010
Caractérisation du timbre des sons complexes. II. Analyses acoustiques et quantification psychophysique J Krimphoff, S McAdams, S Winsberg Le Journal de Physique IV 4 (C5), C5-625-C5-628, 1994	281	1994
Spectral fusion, spectral parsing and the formation of auditory images SE McAdams Stanford university, 1984	258	1984
The dependency of timbre on fundamental frequency J Marozeau, A De Cheveigné, S McAdams, S Winsberg The Journal of the Acoustical Society of America 114 (5), 2946-2957, 2003	242	2003
Probabilistic models of expectation violation predict psychophysiological emotional responses to live concert music H Egermann, MT Pearce, GA Wiggins, S McAdams Cognitive, Affective, & Behavioral Neuroscience 13, 533-553, 2013	236	2013
Material identification of real impact sounds: Effects of size variation in steel, glass, wood, and plexiglass plates BL Giordano, S McAdams The Journal of the Acoustical Society of America 119 (2), 1171-1181, 2006	223	2006
The representation of auditory source characteristics: Simple geometric form S Lakatos, S McAdams, R Caussé Perception & psychophysics 59 (8), 1180-1190, 1997	221	1997
Feature dependence in the automatic identification of musical woodwind instruments JC Brown, O Houix, S McAdams The Journal of the Acoustical Society of America 109 (3), 1064-1072, 2001	207	2001
Music induces universal emotion-related psychophysiological responses: comparing Canadian listeners to Congolese Pygmies H Egermann, N Fernando, L Chuen, S McAdams Frontiers in psychology 5, 116059, 2015	202	2015
Dichotic perception and laterality in neonates J Bertoncini, J Morais, R Bijeljac-Babic, S McAdams, I Peretz, J Mehler Brain and language 37 (4), 591-605, 1989	193	1989
The perception of musical timbre S McAdams, BL Giordano	192	2008
Instrument sound description in the context of MPEG-7 G Peeters, S McAdams, P Herrera ICMC: International Computer Music Conference, 166-169, 2000	191	2000
Hearing a mistuned harmonic in an otherwise periodic complex tone WM Hartmann, S McAdams, BK Smith The Journal of the Acoustical Society of America 88 (4), 1712-1724, 1990	191	1990

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