| The sonata T Schmidt-Beste Cambridge University Press, 2011 | 43 | 2011 |
| Die ästhetischen Grundlagen der Instrumentalmusik Felix Mendelssohn Bartholdys: M&P Schriftenreihe TC Schmidt Springer-Verlag, 2016 | 23 | 2016 |
| „Realismus/Intuitionismus/Naturalismus “ T Schmidt Düwell, Marcus/Hübenthal, Christoph/Werner, Micha H.(Hgg.): Handbuch Ethik …, 2011 | 23 | 2011 |
| Textdeklamation in der Motette des 15. Jahrhunderts TC Schmidt, TC Schmidt-Beste Brepols, 2003 | 19 | 2003 |
| The Production and Reading of Music Sources: Mise En-Page in Manuscripts and Printed Books Containing Polyphonic Music, 1480-1530 C Leitmeir, T Schmidt Brepols Publishers, 2018 | 14 | 2018 |
| Die Sonate: Geschichte-Formen-Ästhetik T Schmidt-Beste Bärenreiter-Verlag, 2019 | 13 | 2019 |
| Private or Institutional—Small or Big? Towards a Typology of Polyphonic Sources of Renaissance Music T Schmidt-Beste Journal of the Alamire Foundation 1 (1), 13-26, 2009 | 10 | 2009 |
| Singing the Hiccup–on Texting the Hocket T Schmidt-Beste Early Music History 32, 225-275, 2013 | 9 | 2013 |
| 'Alles von ihm gelernt?'Die Briefe von Carl Friedrich Zelter an Felix Mendelssohn Bartholdy: Die Briefe von Carl Friedrich Zelter an Felix Mendelssohn Bartholdy T Schmidt-Beste Mendelssohn-Studien 10, 25-56, 1997 | 9 | 1997 |
| Making Polyphonic Books in the Late Fifteenth and Early Sixteenth Centuries T Schmidt The Production and Reading of Music Sources: Mise-En-Page in Manuscripts and …, 2018 | 8 | 2018 |
| Dedicating Music Manuscripts: On function and form of paratexts in fifteenth-and sixteenth-century sources T Schmidt Cui dono lepidum novum libellum?: dedicating Latin works and motets in the …, 2008 | 8 | 2008 |
| Mendelssohn’s chamber music T Schmidt-Beste The Cambridge Companion to Mendelssohn, 130-148, 2004 | 8 | 2004 |
| Just how ‘Scottish’is the ‘Scottish’Symphony? Thoughts on Form and Poetic Content in Mendelssohn’s Opus 56 T Schmidt-Beste Mendelssohn, 481-499, 2017 | 7 | 2017 |
| The motet around 1500: On the relationship of imitation and text treatment? T Schmidt Brepols Publishers, 2012 | 7 | 2012 |
| Felix Mendelssohn Bartholdy und Heinrich Heine T Schmidt-Beste Heine-Jahrbuch 2000: 39. Jahrgang, 111-134, 2000 | 7 | 2000 |
| Modus D Hiley, C Berger, T Schmidt Die Musik in Geschichte und Gegenwart, 417-435, 1997 | 7 | 1997 |
| Die Entdeckung des Ostens und der Humanismus: Niccolò de’Conti und Poggio Bracciolinis Historia de Varietate Fortunae TC Schmidt Mitteilungen des Instituts für österreichische Geschichtsforschung 103 (JG …, 1995 | 7 | 1995 |
| A dying art: Canonic inscriptions and canonic techniques in the sixteenth-century Papal Chapel repertory T Schmidt-Beste Canons and Canonic Techniques, 14th–16th Centuries: Theory, Practice, and …, 2007 | 6 | 2007 |
| Institutions and patronage in Renaissance music T Schmidt-Beste Routledge, Taylor & Francis Group, 2012 | 5 | 2012 |
| Essays on Renaissance music in honour of David Fallows: bon jour, bon mois et bonne estrenne D Fallows Boydell Press, 2011 | 5 | 2011 |
