| Editing and special/visual effects S Higgins, D North, P Monticone, A Rogers, D Polan, J Turnock, M Dhir, ... Rutgers University Press, 2016 | 25 | 2016 |
| ‘Remember! it's Only a Movie!’ Expectations and Receptions of The Day After (1983) D Overpeck Historical Journal of Film, Radio and Television 32 (2), 267-292, 2012 | 24 | 2012 |
| Out of the Dark: American Film Exhibition, Political Action and Industrial Change D Overpeck PhD diss., University of California, 2007 | 13 | 2007 |
| Movies and Images of Reality D Overpeck American Cinema of the 1980s, 188-209, 1988 | 8 | 1988 |
| Blindsiding: Theatre Owners, Political Action and Industrial Change in Hollywood, 1975–1985 D Overpeck Explorations in New Cinema History: Approaches and Case Studies, 185-196, 2011 | 7 | 2011 |
| Divided, thus Conquered: The troubled history of exhibitor trade organizations, 1907–1928 D Overpeck Quarterly Review of Film and Video 31 (3), 211-230, 2014 | 6 | 2014 |
| Subversion, desperation and captivity: Pre-film advertising in American film exhibition since 1977 D Overpeck Film History: An International Journal 22 (2), 219-234, 2010 | 6 | 2010 |
| From Hell D Overpeck Film Quarterly 55 (4), 41-45, 2002 | 6 | 2002 |
| Monitored relations: The US film industry, Chinese film policy and soft power D Overpeck Reconceptualising Film Policies, 27-40, 2017 | 5 | 2017 |
| Chapter 5. Breaking Brand 164 From NuMarvel to MarvelNOW! Marvel Comics in the Age of Media Convergence D Overpeck Make Ours Marvel: Media Convergence and a Comics Universe, 164-186, 2017 | 4 | 2017 |
| Splitsville: Independent Exhibitors Court Federal Intervention in the American Film Industry, 1975–1988 D Overpeck Film History: An International Journal 26 (1), 136-157, 2014 | 3 | 2014 |
| ‘people are going to want to know what really went down’: Cloverfield and the return to innocence in post-9/11 America D Overpeck Horror Studies 3 (1), 105-124, 2012 | 3 | 2012 |
| Explorations in New Cinema History: Approaches and Case Studies D Overpeck, R Maltby, P Meers, D Biltereyst Blackwell, 2011 | 3 | 2011 |
| Out of the dark: American film exhibition, political action and industrial change, 1966–1986 D Overpeck University of California, Los Angeles, 2007 | 3 | 2007 |
| An Oasis or a Mirage? The Importance of Abu Dhabi Real Estate to Time Warner D Overpeck annual meeting of the Society for Cinema and Media Studies, New Orleans …, 2011 | 2 | 2011 |
| The New Hollywood, 1981–1999: Editing D Overpeck Editing and Special/Visual Effects, 129-141, 0 | 2 | |
| “IS THIS PAY-TV TO BE THE END FOR US?”: Film Exhibitors Confront Pay Television, 1968–76 D Overpeck The Moving Image: The Journal of the Association of Moving Image Archivists …, 2012 | 1 | 2012 |
| " As Pretty a Piece of Price Fixing as I Ever Saw". D Overpeck Film History 34 (1), 2022 | | 2022 |
| " As Pretty a Piece of Price Fixing as I Ever Saw": Prerelease Engagements and the Circumvention of the Paramount Consent Decrees D Overpeck Film History: An International Journal 34 (1), 110-136, 2022 | | 2022 |
| A Setting Sun: The Egyptian D Overpeck The Many Cinemas of Michael Curtiz, 158-170, 2018 | | 2018 |
