| Queer cinema in the world K Schoonover, R Galt Duke University Press, 2016 | 293* | 2016 |
| Global art cinema: New theories and histories R Galt, K Schoonover Oxford University Press, 2010 | 252 | 2010 |
| Brutal vision: The neorealist body in postwar Italian cinema K Schoonover U of Minnesota Press, 2012 | 166 | 2012 |
| The Impurity of Art Cinema K Schoonover, R Galt Global Art Cinema: New Theories and Histories, 3-27, 2010 | 131* | 2010 |
| Wastrels of time: Slow Cinema's laboring body, the political spectator, and the queer K Schoonover Framework: The Journal of Cinema and Media 53 (1), 65-78, 2012 | 128 | 2012 |
| Ectoplasms, evanescence, and photography K Schoonover Art Journal 62 (3), 30-41, 2003 | 51 | 2003 |
| Documentaries without documents? Ecocinema and the toxic K Schoonover NECSUS_European Journal of Media Studies 4 (Autumn), 2013 | 26 | 2013 |
| Untimely Desires, Historical Efflorescence, and Italy in Call Me by Your Name R Galt, K Schoonover Italian Culture 37 (1), 64-81, 2019 | 21 | 2019 |
| Os mundos do cinema queer: da estética ao ativismo K Schoonover, R Galt ArtCultura 17 (30), 97-107, 2015 | 18* | 2015 |
| Divine: towards an "imperfect" stardom K Schoonover Screen Stars of the 1970s, 158-181, 2010 | 16* | 2010 |
| Antonioni’s waste management K Schoonover Michelangelo Antonioni: Centenary Essays, 235-253, 2011 | 13 | 2011 |
| Histrionic Gestures and Historical Representation: Masina's Cabina, Bazin's Chaplin, and Fellini's Neorealism K Schoonover Cinema Journal, 93-116, 2014 | 12 | 2014 |
| Hypotheses on the Queer Middlebrow R Galt, K Schoonover Middlebrow Cinema, 196, 2016 | 10 | 2016 |
| What Do We Do with Vacant Space in Horror Films? K Schoonover Discourse 40 (3), 342-357, 2018 | 9 | 2018 |
| Global cinema networks E Gorfinkel, T Williams Rutgers University Press, 2019 | 8 | 2019 |
| Queer or human? LGBT film festivals, human rights and global film culture K Schoonover Screen 56 (1), 121-132, 2015 | 8 | 2015 |
| Primed Real Estate: Film Producers and Land Development K Schoonover, B Corsi Historical Journal of Film, Radio and Television 40 (1), 129-139, 2020 | 6 | 2020 |
| Provincialising heterosexuality: queer style, world cinema R Galt, K Schoonover The Routledge Companion to World Cinema, 347-358, 2017 | 5 | 2017 |
| Scrap Metal, Stains, Clogged Drains: Argento’s Refuse and Its Refusals K Schoonover Italian Horror Cinema, 111-26, 2016 | 5 | 2016 |
| Neorealism at a distance K Schoonover European Film Theory, 301-318, 2009 | 5 | 2009 |
Rosalind GaltProfessor of Film Studies, King's College LondonE-mail megerősítve itt: kcl.ac.uk