| Art incorporated: The story of contemporary art J Stallabrass (No Title), 2004 | 486 | 2004 |
| High art lite: British art in the 1990s J Stallabrass Verso, 1999 | 380 | 1999 |
| Contemporary art: a very short introduction J Stallabrass Oxford University Press, 2020 | 285 | 2020 |
| Gargantua: Manufactured mass culture J Stallabrass Verso, 1996 | 275 | 1996 |
| Internet art: The online clash of culture and commerce J Stallabrass (No Title), 2003 | 268 | 2003 |
| Empowering technology: the exploration of cyberspace J Stallabrass New Left Review, 3-3, 1995 | 202 | 1995 |
| Sebastião Salgado and fine art photojournalism J Stallabrass New Left Review, 131-160, 1997 | 93 | 1997 |
| Just gaming: Allegory and economy in computer games J Stallabrass New Left Review, 83-83, 1993 | 89 | 1993 |
| The branding of the museum J Stallabrass Art History 37 (1), 148-165, 2014 | 72 | 2014 |
| What's in a face? Blankness and significance in contemporary art photography J Stallabrass October 122, 71-90, 2007 | 72 | 2007 |
| Documentary J Stallabrass | 62 | 2013 |
| Spectacle and terror J Stallabrass New Left Review Limited, 2006 | 46 | 2006 |
| Memory of fire: Images of war and the war of images J Stallabrass Photoworks, 2013 | 43 | 2013 |
| Can art history digest net art? J Stallabrass Net pioneers 1 (0), 2010 | 42 | 2010 |
| 'Museum Photography and Museum Prose’ J Stallabrass New Left Review, 93-125, 2010 | 37 | 2010 |
| Negative dialectics in the Google era: A conversation with Trevor Paglen J Stallabrass, T Paglen October 138, 3-14, 2011 | 31 | 2011 |
| Trash J Stallabrass The object reader, 406-424, 2009 | 31 | 2009 |
| The aesthetics of NET. ART J Stallabrass Qui Parle 14 (1), 49-72, 2003 | 25 | 2003 |
| The power and impotence of images J Stallabrass Memory of Fire: The War of Images and Images of War, 4-9, 2008 | 21 | 2008 |
| Henry Moore D Mitchinson, J Stallabrass (No Title), 1992 | 21 | 1992 |
Susan Buck-MorssProfessor, Political Theory, Cornell University & CUNY Graduate CenterE-mail megerősítve itt: cornell.edu