Federico Avanzini

Hivatkozott rá

	Összes	2020 óta
Hivatkozások	3859	1551
h-index	35	17
i10-index	104	44

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Társszerzők

Michele GeronazzoProfessor (associate), University of PadovaE-mail megerősítve itt: unipd.it
Davide RocchessoProfessor. Università degli Studi di MilanoE-mail megerősítve itt: unimi.it
Simone SpagnolAssociate Professor, Iuav University of VeniceE-mail megerősítve itt: iuav.it
Luca Andrea LudovicoLaboratory of Music Informatics (LIM), Department of Computer Science, University of MilanE-mail megerősítve itt: unimi.it
Stefania SerafinAalborg UniversityE-mail megerősítve itt: create.aau.dk
Adriano BaratèUniversità degli Studi di MilanoE-mail megerősítve itt: di.unimi.it
Federico FontanaAssociate Professor, University of Udine - ItalyE-mail megerősítve itt: uniud.it
Giorgio PrestiAssistant Professor / Researcher, Università degli Studi di MilanoE-mail megerősítve itt: unimi.it
Stavros NtalampirasAssociate Professor, Università degli Studi di MilanoE-mail megerősítve itt: unimi.it
Stefano PapettiZurich University of the ArtsE-mail megerősítve itt: zhdk.ch
Amalia de GötzenAssociate professor Aalborg University CopenhagenE-mail megerősítve itt: create.aau.dk
Marcella MandaniciMusic Conservatory "Luca Marenzio"E-mail megerősítve itt: consbs.it
Antonio RodàUniversity of PadovaE-mail megerősítve itt: dei.unipd.it
Giovanni De PoliFull Professor of Computer Engineering, University of PadovaE-mail megerősítve itt: dei.unipd.it
Sofia DahlAssociate Professor in Music perception and Cognition, Aalborg UniversityE-mail megerősítve itt: create.aau.dk
Frank PollickProfessor of Psychology, University of GlasgowE-mail megerősítve itt: glasgow.ac.uk
Giulio RosatiFull Professor of Machine Mechanics and Industrial Robotics, University of Padova, ItalyE-mail megerősítve itt: unipd.it
carlo drioliUniversità di UdineE-mail megerősítve itt: uniud.it
Dragan AhmetovicAssociate Professor, University of MilanE-mail megerősítve itt: unimi.it
Sergio MascettiUniversità degli Studi di MilanoE-mail megerősítve itt: unimi.it

Követés

Federico Avanzini

Full Professor, University of Milano

E-mail megerősítve itt: di.unimi.it - Kezdőlap

Sound and Music Computing Sound modeling Multimodal interaction


Cím Rendezés hivatkozások szerint Rendezés év szerint Rendezés cím szerint	Hivatkozott rá Hivatkozott rá	Év
Mobile virtual reality for musical genre learning in primary education E Degli Innocenti, M Geronazzo, D Vescovi, R Nordahl, S Serafin, ... Computers & Education 139, 102-117, 2019	207	2019
Multisensory integration of drumming actions: musical expertise affects perceived audiovisual asynchrony K Petrini, S Dahl, D Rocchesso, CH Waadeland, F Avanzini, A Puce, ... Experimental brain research 198, 339-352, 2009	131	2009
On the relation between pinna reflection patterns and head-related transfer function features S Spagnol, M Geronazzo, F Avanzini IEEE transactions on audio, speech, and language processing 21 (3), 508-519, 2012	102	2012
Modeling collision sounds: Non-linear contact force F Avanzini, D Rocchesso Proc. COST-G6 Conf. Digital Audio Effects (DAFx-01), 61-66, 2001	98	2001
On the Role of Auditory Feedback in Robot‐Assisted Movement Training after Stroke: Review of the Literature G Rosati, A Rodà, F Avanzini, S Masiero Computational intelligence and neuroscience 2013 (1), 586138, 2013	97	2013
Interactive simulation of rigid body interaction with friction-induced sound generation F Avanzini, S Serafin, D Rocchesso IEEE transactions on speech and audio processing 13 (5), 1073-1081, 2005	97	2005
Action expertise reduces brain activity for audiovisual matching actions: an fMRI study with expert drummers K Petrini, FE Pollick, S Dahl, P McAleer, L McKay, D Rocchesso, ... Neuroimage 56 (3), 1480-1492, 2011	90	2011
Modelling the mechanical response of the reed-mouthpiece-lip system of a clarinet. Part I. A one-dimensional distributed model F Avanzini, M Van Walstijn Acta Acustica united with Acustica 90 (3), 537-547, 2004	87	2004
Multimodal music information processing and retrieval: Survey and future challenges F Simonetta, S Ntalampiras, F Avanzini 2019 international workshop on multilayer music representation and …, 2019	86	2019
Controlling material properties in physical models of sounding objects F Avanzini, D Rocchesso ICMC, 2001	83	2001
Interactive spatial sonification for non-visual exploration of virtual maps M Geronazzo, A Bedin, L Brayda, C Campus, F Avanzini International Journal of Human-Computer Studies 85, 4-15, 2016	75	2016
Effect of task-related continuous auditory feedback during learning of tracking motion exercises G Rosati, F Oscari, S Spagnol, F Avanzini, S Masiero Journal of neuroengineering and rehabilitation 9, 1-13, 2012	70	2012
WatchOut: Obstacle sonification for people with visual impairment or blindness G Presti, D Ahmetovic, M Ducci, C Bernareggi, L Ludovico, A Baratè, ... Proceedings of the 21st International ACM SIGACCESS Conference on Computers …, 2019	66	2019
Physically informed signal processing methods for piano sound synthesis: a research overview B Bank, F Avanzini, G Borin, G De Poli, F Fontana, D Rocchesso EURASIP journal on advances in signal processing 2003, 1-12, 2003	66	2003
Haptic-auditory rendering and perception of contact stiffness F Avanzini, P Crosato International workshop on haptic and audio interaction design, 24-35, 2006	63	2006
A modular physically based approach to the sound synthesis of membrane percussion instruments F Avanzini, R Marogna IEEE transactions on audio, speech, and language processing 18 (4), 891-902, 2009	52	2009
Numerical methods for a nonlinear impact model: a comparative study with closed-form corrections S Papetti, F Avanzini, D Rocchesso IEEE Transactions on Audio, Speech, and Language Processing 19 (7), 2146-2158, 2011	51	2011
Modelling the mechanical response of the reed-mouthpiece-lip system of a clarinet. Part II: A lumped model approximation M Van Walstijn, F Avanzini Acta Acustica united with Acustica 93 (3), 435-446, 2007	50	2007
Estimation and modeling of pinna-related transfer functions G Michele, S Spagnol, A Federico Proceedings of the 13th International Conference on Digital Audio Effects …, 2010	49	2010
Substituting auditory for visual feedback to adapt to altered dynamic and kinematic environments during reaching F Oscari, R Secoli, F Avanzini, G Rosati, DJ Reinkensmeyer Experimental Brain Research 221, 33-41, 2012	48	2012

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