| Hearing the movies: music and sound in film history J Buhler, D Neumeyer (No Title), 2010 | 393 | 2010 |
| Music and cinema J Buhler, C Flinn, D Neumeyer Wesleyan University Press, 2000 | 224 | 2000 |
| The Music of Paul Hindemith D Neumeyer (No Title), 1986 | 179 | 1986 |
| Diegetic/nondiegetic: A theoretical model D Neumeyer Music and the Moving Image 2 (1), 26-39, 2009 | 114 | 2009 |
| Analytical and interpretive approaches to film music (I): analysing the music D Neumeyer, J Buhler Film music: critical approaches, 16-38, 2001 | 100 | 2001 |
| The Ascending" Urlinie" D Neumeyer Journal of Music Theory 31 (2), 275-303, 1987 | 95 | 1987 |
| Rewriting Schenker: Narrative—History—Ideology R Littlefield, D Neumeyer Music Theory Spectrum 14 (1), 38-65, 1992 | 70 | 1992 |
| THE 3-PART URSATZ+ SOME TECHNICAL PROBLEMS IN SCHENKERIAN ANALYSIS D Neumeyer IN THEORY ONLY 10 (1-2), 3-29, 1987 | 50 | 1987 |
| THE URLINIE FROM 8 AS A MIDDLEGROUND PHENOMENON+ PLACE IN SCHENKERIAN THEORY D Neumeyer IN THEORY ONLY 9 (5-6), 3-25, 1987 | 41 | 1987 |
| Melodrama as a compositional resource in early Hollywood sound cinema D Neumeyer Current Musicology 57, 61-94, 1995 | 40 | 1995 |
| Film music analysis and pedagogy D Neumeyer Indiana Theory Review 11, 1-27, 1990 | 37 | 1990 |
| Performances in early Hollywood sound films: Source music, background music, and the integrated sound track D Neumeyer Contemporary Music Review 19 (1), 37-62, 2000 | 36 | 2000 |
| Thematic Reading, Proto-backgrounds, and Registral Transformations D Neumeyer Music Theory Spectrum 31 (2), 284-324, 2009 | 30 | 2009 |
| Schoenberg at the Movies: Dodecaphony and Film D Neumeyer Music Theory Online 1, 1993 | 21 | 1993 |
| Merging genres in the 1940s: The musical and the dramatic feature film D Neumeyer American Music 22 (1), 122-132, 2004 | 19 | 2004 |
| Source music, background music, fantasy and reality in early sound film D Neumeyer College Music Symposium 37, 13-20, 1997 | 18 | 1997 |
| Tonal, Formal, and Proportional Design in Hindemith's Music D Neumeyer Music Theory Spectrum 9, 93-116, 1987 | 16 | 1987 |
| FRAGILE OCTAVES, BROKEN LINES, ON SOME LIMITATIONS IN SCHENKERIAN THEORY AND PRACTICE D Neumeyer IN THEORY ONLY 11 (3), 13-30, 1989 | 15 | 1989 |
| Panel Discussion on Film Sound/Film Music: Jim Buhler, Anahid Kassabian, David Neumeyer, and Robynn Stilwell J Buhler, A Kassabian, D Neumeyer, RJ Stilwell, K Barnett, SL Bowman, ... The Velvet Light Trap 51 (1), 73-91, 2003 | 14 | 2003 |
| Arnold Schoenberg and Paul Hindemith D Neumeyer, G Schubert Journal of the Arnold Schoenberg Institute 13 (1), 44, 1990 | 14 | 1990 |
