| It's All Connected. L'evoluzione delle serie TV statunitensi P Brembilla MEDIACULTURA, 1-192, 2018 | 37 | 2018 |
| Selection and evolution in narrative ecosystems. A theoretical framework for narrative prediction G Pescatore, V Innocenti, P Brembilla 2014 IEEE International Conference on Multimedia and Expo Workshops (ICMEW), 1-6, 2014 | 35 | 2014 |
| Transmedia Music: The Values of Music as a Transmedia Asset P Brembilla The Routledge companion to transmedia studies, 82-89, 2018 | 33 | 2018 |
| Reading Contemporary Serial Television Universes P Brembilla, IA De Pascalis A Narrative Ecosystem Framework, 2018 | 22 | 2018 |
| With 22 episodes a year: searching for quality in US network television: the cases of The Good Wife, Brooklyn Nine-Nine and Jane the Virgin P Brembilla, L Tralli Comunicazioni sociali: 2, 2015, 142-152, 2015 | 13 | 2015 |
| La serialità televisiva americana: produzione, consumo e tipologie di prodotto P Brembilla, G Pescatore America oggi. Cinema, media, narrazioni del nuovo millennio, 275-290, 2014 | 11 | 2014 |
| “Lip-Sync for Your Life”(Abroad). The Distribution, Adaptation and Circulation of RuPaul’s Drag Race in Italy L Barra, P Brembilla, L Rossato, L Spaziante VIEW Journal of European Television History and Culture 9 (17), 119-133, 2020 | 9 | 2020 |
| Narrative ecosystems through the network analysis lens. Step one: The production of US TV series, between capital and labor strategies M Ruffino, P Brembilla Series-International Journal of TV Serial Narratives 2 (1), 55-68, 2016 | 9 | 2016 |
| Game of strategy: analisi strategica del settore delle serie TV nell'industria televisiva statunitense P Brembilla, E Mollona G. Giappichelli editore, 2015 | 9 | 2015 |
| Dinamiche competitive ed evolutive: le pratiche dell’industria P Brembilla Ecosistemi narrativi. Dal fumetto alle serie Tv, 147-161, 2018 | 5 | 2018 |
| Tecnologia, istituzioni, industria: l’ambiente economico e normative degli ecosistemi narrativi P Brembilla Ecosistemi narrativi. Dal fumetto alle serie TV, 93-107, 2018 | 5 | 2018 |
| One does not simply walk away from the past. The Van Der Memes and the dynamics of memory and spreadability P Brembilla The Politics of Ephemeral Digital Media, 170-182, 2016 | 5 | 2016 |
| Straight-to-Series in Broadcast Television: Causes, Issues and Consequences P Brembilla Alma Mater Studiorum Università di Bologna. Dipartimento delle Arti. Sezione …, 2014 | 5 | 2014 |
| Franchise mediali. Industrie, narrazioni, pubblici P Brembilla INTERMEDIA, 1-120, 2023 | 4 | 2023 |
| Suit Up. The Use of Ready-to-Wear Power Suits in TV Series P Brembilla Zonemoda Journal 5, 32-7, 2016 | 4 | 2016 |
| You Can Literally Feel the Fear in This Campus. La rappresentazione della paura nel franchise di Scream, tra cinema e televisione P Brembilla Griseldaonline 15, 2015 | 4 | 2015 |
| Quale modello seriale: La fiction Sky, sospesa tra America ed Europa P Brembilla, G Pescatore BIBLIOTECA DI TESTI E STUDI, 88-94, 2013 | 4 | 2013 |
| La televisione italiana. Storie, generi e linguaggi L Barra, P Brembilla, V Innocenti Pearson, 2024 | 3 | 2024 |
| The pervasive architecture of MTV’s Teen Wolf P Brembilla, K Zilles, J Cuenca, J Rom Breaking the Media Value Chain, 51, 2016 | 3 | 2016 |
| Game of Strategy. P Brembilla, EVE Mollona G. Giappichelli Editore, 2015 | 3 | 2015 |
Guglielmo PescatoreProfessor of Film and Media Studies, University of BolognaE-mail megerősítve itt: unibo.it