Beyond Netflix and Amazon: MUBI and the curation of on-demand film R Smits, EW Nikdel Studies in European Cinema 16 (1), 22-37, 2019 | 59 | 2019 |
Gatekeeping in the evolving business of independent film distribution R Smits Palgrave Macmillan, 2019 | 46 | 2019 |
Gatekeeping and networking arrangements: Dutch distributors in the film distribution business R Smits Poetics 58, 29-42, 2016 | 32 | 2016 |
Using mixed-methods, a data model and a computational ontology in film audience research P Merrington, M Hanchard, B Wessels, M Pidd, K Rogers, D Forrest, ... Cultural Trends 28 (2-3), 118-131, 2019 | 13 | 2019 |
Distributing films online R Smits, A Higson, J Mateer, HD Jones, B D'Ippolito Journal of British Cinema and Television 15 (2), 291-299, 2018 | 13 | 2018 |
Circulation patterns, abundance and scarcity: Film availability in the online era R Smits Media Industries 9 (2), 2022 | 10 | 2022 |
Film distribution: A changing business R Smits DVD, Blu-ray and beyond: Navigating formats and platforms within media …, 2017 | 10 | 2017 |
European Film Festivals in Transition? Film Festival Formats in Times of COVID R Smits Report for Thessaloniki International Film Festival, 2021 | 6 | 2021 |
Disruption in times of COVID-19? The hybrid film festival format R Smits Cultural Trends 33 (3), 309-323, 2024 | 5 | 2024 |
Tournaments of values at the European film market R Smits Arts and the Market 8 (1), 64-79, 2018 | 4 | 2018 |
European Cinema in the Streaming Era: Policy, Platforms, and Production C Meir, R Smits Springer Nature, 2024 | 3 | 2024 |
Developing a computational ontology to understand the relational aspects of audience formation M Hanchard, P Merrington, B Wessels, K Rogers, M Pidd, S Yates, ... Emerald Open Research 1 (1), 2023 | 3 | 2023 |
Film festivals and market intelligence: From audience surveys to data analytics? R Smits NECSUS_European Journal of Media Studies 11 (1), 344-350, 2022 | 2 | 2022 |
Theatrical Distribution or Online Streaming? Release Strategies in Europe in Times of Disruption and Change R Smits European Cinema in the Streaming Era: Policy, Platforms, and Production, 85-108, 2024 | 1 | 2024 |
Reflections on the New Streaming Oligopoly: Original Productions and Delivery Strategies for Films and Television Series R Smits The Velvet Light Trap 93 (1), 61-63, 2024 | 1 | 2024 |