| A different story of secularism: The censorship of religion in Turkish films of the 1960s and early 1970s DK Mutlu, Z Koçer European Journal of Cultural Studies 15 (1), 70-88, 2012 | 28 | 2012 |
| The Monstrous-feminine and Masculinity as Abjection in Turkish Horror Cinema: An Analysis of Haunted (Musallat, Alper Mestçi, 2007) Z Koçer Gender and Contemporary Horror in Film, 2019 | 11 | 2019 |
| Representations of Masculinity in Yılmaz Güney’s Star Image in the 1960s and 1970s Z Koçer Diss. ID Bilkent University, 2012 | 7* | 2012 |
| Representing Ethnicity in Cinema during Turkey’s Kurdish Initiative: A Critical Analysis of My Marlon and Brando (Karabey, 2008), The Storm (Öz, 2008) and Future Lasts Forever … K Zeynep, GM Orhan Alphaville: Journal of Screen and Media 15 (1), 54-68, 2017 | 4 | 2017 |
| GEMİDE FİLMİNDE ATAERKİ VE KRİZDEKİ ERKEKLİK ANLATILARI Z Koçer, E Ulucan Motif Akademi Halkbilimi Dergisi 14 (33), 203-218, 2021 | 3 | 2021 |
| Realism as a Tool to Develop Authenticity: Orientalism in Mustang Z Koçer Gümüşhane Üniversitesi Sosyal Bilimler Enstitüsü Elektronik Dergisi 11 (Ek …, 2020 | 2 | 2020 |
| Kıyamet ve Deprem: Anadolu Mitleri ve İslami Öğeler Açısından Küçük Kıyamet Filminin İncelenmesi Z Koçer Beykoz Akademi Dergisi 8 (2), 158-169, 2020 | 1 | 2020 |
| The Representation of Femininity in Turkish Internal Migration Films of the 1960s, 1970s, and 1980s Z Kocer College of Staten Island, 2005 | 1 | 2005 |
| THE JOURNEY TO MOTHERHOOD AND TO ANCIENT GREECE IN BIRD BOX (SUSANNE BIER, 2018) Z Koçer Academic Studies in Humanities and Social Sciences, 161, 2021 | | 2021 |
| The Significance of Participatory Culture in the Age of Media Convergence Z Koçer Image, Time and Motion, 104, 2011 | | 2011 |
| Different Understandings of Modernity in Halit Refiğ's Birds of Exile Z Koçer Cinema and Politics: Turkish Cinema and The New Europe 2, 132, 2009 | | 2009 |