| Components of aesthetic experience: aesthetic fascination, aesthetic appraisal, and aesthetic emotion S Marković i-Perception 3 (1), 1-17, 2012 | 515 | 2012 |
| Aesthetic experience and the emotional content of paintings S Marković Psihologija 43 (1), 47-64, 2010 | 88 | 2010 |
| Implicit and explicit features of paintings. S Markovic, A Radonjic Spatial vision 21, 2008 | 82 | 2008 |
| Symmetry, complexity and perceptual economy: Effects of minimum and maximum simplicity conditions S Marković, V Gvozdenovi Visual Cognition 8 (3-5), 305-327, 2001 | 63 | 2001 |
| Aesthetic experience of dance performances M Vukadinović, S Marković Psihologija 45 (1), 23-41, 2012 | 47 | 2012 |
| The effect of music background on the emotional appraisal of film sequences I Pavlović, S Marković Psihologija 44 (1), 71-91, 2011 | 44 | 2011 |
| Evaluation of paintings: Effects of lectures IZ Stojilović, S Marković Psihologija 47 (4), 415-432, 2014 | 26 | 2014 |
| Aesthetic valence of visual illusions J Stevanov, S Marković, A Kitaoka i-Perception 3 (2), 112-140, 2012 | 23 | 2012 |
| Estetski doživljaj umetničkih slika M Polovina, S Marković Psihologija 39 (1), 39-55, 2006 | 23 | 2006 |
| “Aha” ptics: enjoying an aesthetic aha during haptic exploration C Muth, S Ebert, S Marković, CC Carbon Perception 48 (1), 3-25, 2019 | 22 | 2019 |
| Perceptual, semantic and affective dimensions of experience of abstract and representational paintings S Marković Psihologija 44 (3), 191-210, 2011 | 22 | 2011 |
| Similarities in form symbolism among various languages and geographical regions T Oyama, T Agostini, A Kamada, S MARKOVIĆ, E Osaka, S Sakurai, ... Psychologia 51 (3), 170-184, 2008 | 21 | 2008 |
| The relationship between the dancers' and the audience's aesthetic experience M Vukadinović, S Marković Psihologija 50 (4), 465-481, 2017 | 18 | 2017 |
| Automatic processes in aesthetic judgment: Insights from the implicit association test M Pavlović, S Marković Psihologija 45 (4), 377-393, 2012 | 18 | 2012 |
| Subjective experience of poetry: Latent structure and differences between experts and non-experts F Nenadić, D Vejnović, S Marković Poetics 73, 100-113, 2019 | 17 | 2019 |
| i Subotić, I.(2002a). Dimenzije subjektivnog doživljaja forme S Marković, D Janković Psihološka istraživanja, 11 12, 49-73, 0 | 17 | |
| Attractiveness of the female body: Preference for the average or the supernormal? S Marković psihologija 50 (3), 403-426, 2017 | 16 | 2017 |
| Object domains and the experience of beauty S Marković Art & Perception 2 (1-2), 119-140, 2014 | 16 | 2014 |
| i Subotić, I.(2002b). Implicitna i eksplicitna svojstva vizuelnog geštalta S Marković, D Janković Psihološka istraživanja, 11 12, 75-112, 0 | 16 | |
| Implicitna i eksplicitna svojstva vizuelnog geštalta [Implicit and explicit features of visual Gestalt] S Marković, D Janković, I Subotić Psihološka istraživanja, 11 12, 75-112, 2002 | 15 | 2002 |
Ana RadonjićUniversity of PennsylvaniaE-mail megerősítve itt: sas.upenn.edu
