| " WALKING WOMBS": LOSS OF INDIVIDUALITY AND SELFALIENATION IN THE HANDMAID'S TALE G Gayret Kafkas Universitesi. Sosyal Bilimler Enstitu, 103-121, 2019 | 4 | 2019 |
| Rural Realism in Federico Garcia Lorca’s Blood Wedding and JM Synge’s Riders to the Sea G Gayret BIDGE Publications, 2023 | 1 | 2023 |
| Silence of Bystanders as the Accomplice of Domestic Violence: Dirty Butterfly and Born Bad by Debbie Tucker Green G Gayret Uluslararası İnsan Çalışmaları Dergisi 6 (12), 351-360, 2023 | 1 | 2023 |
| THE RENUNCIATION AND RECONFIGURATION OF PHALLOCENTRIC PENELOPE IN CLAIRE NORTH’S ITHACA G GAYRET NEW ERA INTERNATIONAL JOURNAL OF INTERDISCIPLINARY SOCIAL RESEARCHES 9 (26 …, 2024 | | 2024 |
| MARY PIX AS “FEMALE WIT” OF ENGLISH STAGE: THE REPRESENTATION OF THE SEVENTEENTH CENTURY WOMEN IN THE BEAU DEFATED AND THE SPANISH WIVES G GAYRET Language and Literature Studies II, 2023 | | 2023 |
| MALIGNANT AGGRESSION IN SARAH KANE’S BLASTED: IAN AS THE PERPETRATOR AND VICTIM OF VIOLENCE G Gayret VIOLENCE STUDIES ON THE AXIS OF CHILDREN AND WOMEN, 79, 2022 | | 2022 |
| Lexical Patterns of Free Indirect Discourse in DH Lawrence's Women in Love G Gayret Journal of Narrative and Language Studies 4 (7), 17-29, 2016 | | 2016 |
| Journal of Human Studies G GAYRET | | |
| DH LAWRENCE’IN UĞURBÖCEĞİ VE TİLKİ ESERLERİNDE BASKICI TEAMÜLLERİN ÖTESİNDE YENİ MANEVİ DEĞERLER NEW MORAL VALUES BEYOND REPRESSIVE CONVENTIONS IN DH LAWRENCE’S THE LADYBIRD … G Gayret | | |
| Linguistic features of free indirect discourse in DH Lawrences Women in Love G Gayret Sosyal Bilimler Enstitüsü, 0 | | |
| Gothic Implications on the Enlightenment, Puritanism, and Transcendentalism in Charles Brockden Brown’s Wieland G Gayret Anemon Muş Alparslan Üniversitesi Sosyal Bilimler Dergisi 8 (4), 1201-1206, 0 | | |
| Dorrit Cohn, Şeffaf Zihinler Kurmaca Eserlerde Bilincin Sunumu G Gayret Dil ve Edebiyat Araştırmaları, 419-424, 0 | | |
