| Abstract machines: Samuel Beckett and philosophy after Deleuze and Guattari G Dowd Rodopi, 2007 | 85 | 2007 |
| Genre matters G Dowd, L Stevenson, J Strong | 51 | 2006 |
| Objectivity and immanence in genre theory P Cobley, G Dowd | 43 | 2006 |
| Leos Carax F Daly, G Dowd Manchester University Press, 2003 | 24 | 2003 |
| Introduction: Genre matters in theory and criticism G Dowd | 19 | 2006 |
| Prolegomena to a critique of excavatory reason: reply to Matthew Feldman G Dowd Samuel Beckett Today/Aujourd'hui 20 (1), 375-388, 2008 | 15 | 2008 |
| Nomadology: reading the Beckettian baroque GV Dowd Journal of Beckett Studies 8 (1), 15-50, 1998 | 13 | 1998 |
| Genre trajectories: identifying, mapping, projecting G Dowd, N Rulyova Springer, 2015 | 9 | 2015 |
| Pedagogies of the image between Daney and Deleuze G Dowd New Review of Film and Television Studies 8 (1), 41-56, 2010 | 9 | 2010 |
| Disconcerting the fugue: dissonance in the "sirens” episode of Joyce's Ulysses GV Dowd Angelaki: journal of the theoretical humanities 3 (2), 147-167, 1998 | 7 | 1998 |
| The Proxemics of “neither” G Dowd Samuel Beckett Today/Aujourd'hui 24 (1), 367-378, 2012 | 5 | 2012 |
| Paris and its doubles: Deleuze/Rivette G Dowd Deleuze Studies 3 (2), 185-206, 2009 | 5 | 2009 |
| 'S WAYS: Addenda, Borders and Courses G Dowd Samuel Beckett Today/Aujourd'hui 19 (1), 75-85, 2008 | 5 | 2008 |
| On Four Kantian Formulas that Might Summarise the Beckettian Poetic G Dowd Journal of Beckett Studies 10 (1-2), 53-68, 2000 | 5 | 2000 |
| FIGURING ZERO IN" THE LOST ONES" G Dowd Samuel Beckett Today/Aujourd'hui, 67-80, 2000 | 5 | 2000 |
| Mud as Plane of Immanence in How it Is G Dowd Journal of Beckett Studies 8 (2), prelim iv-28, 1999 | 5 | 1999 |
| Beckettian Pain, In the Flesh: Singularity, Community and" the work" G Dowd Samuel Beckett and Pain, 67-91, 2012 | 4 | 2012 |
| 'So What Kind of Film is it?': Genre, Publicity and Critical Practice M Chopra-Gant | 4 | 2006 |
| VASTS APART": Phenomenology and" Worstward Ho G Dowd Samuel Beckett Today/Aujourd'hui, 323-339, 2004 | 4 | 2004 |
| KARAOKE BECKETT, OR JEREMY IRONS, MIMICRY AND TRAVESTY IN" OHIO IMPROMPTU" ON FILM G Dowd Samuel Beckett Today/Aujourd'hui, 169-182, 2003 | 4 | 2003 |