| Film architecture and the transnational imagination: Set design in 1930s European cinema T Bergfelder, S Harris, S Street Amsterdam University Press, 2007 | 190 | 2007 |
| What parents tell us about paraeducators M Gessler Werts, S Harris, C Young Tillery, R Roark Remedial and Special Education 25 (4), 232-239, 2004 | 96 | 2004 |
| Perceptions of paraeducators on job retention CY Tillery, MG Werts, R Roark, S Harris Teacher Education and Special Education 26 (2), 118-127, 2003 | 75 | 2003 |
| An American in Paris S Harris Bloomsbury Publishing, 2015 | 56 | 2015 |
| France in focus: film and national identity E Ezra, S Harris (No Title), 2000 | 34 | 2000 |
| From perversion to purity: the stardom of Catherine Deneuve L Downing, S Harris Manchester University Press, 2007 | 21 | 2007 |
| Speech therapy for dysphonia S Harris The voice clinic handbook, 139-206, 1998 | 21 | 1998 |
| ‘Dancing in the Streets’: The Aurillac Festival of Street Theatre S Harris Contemporary Theatre Review 14 (2), 57-71, 2004 | 16 | 2004 |
| 'I am David' S Harris SIGHT AND SOUND 15 (1), 54-54, 2005 | 14 | 2005 |
| Renoir's Paris: The City as Film Set S Harris South Central Review 28 (3), 84-102, 2011 | 9 | 2011 |
| Common threads SLC Harris, TL Wolff Jackpine Writers' Bloc, 2009 | 9 | 2009 |
| Cinema in a nation of filmgoers S Harris Contemporary French Cultural Studies, 208-219, 2014 | 7 | 2014 |
| Festivals and fêtes populaires S Harris Contemporary French cultural studies, 220-228, 2014 | 7 | 2014 |
| Bertrand Blier S Harris Manchester University Press, 2001 | 7 | 2001 |
| Degraded divinity? Sacred monstrosity? Gérard Depardieu and the abject star body S Harris Screen 56 (3), 319-334, 2015 | 6 | 2015 |
| Spectators 1960–2004: The Decline, Fall and Rebirth of Cinemagoing S Harris The French Cinema Book, 256-264, 2004 | 5 | 2004 |
| Introduction: the French exception S Harris, E Ezra France in Focus: Film and National Identity. Ed. Elizabeth Ezra and Sue …, 2000 | 5 | 2000 |
| " Les Comiques font de la résistance": Dramatic Trends in Popular Film Comedy S Harris Australian Journal of French Studies 35 (1), 87-100, 1998 | 5 | 1998 |
| c laSh J HARRIS | 5 | 1988 |
| Lives Out of Sequence': Maternal Identity in François Truffaut's Les 400 Coups (1959) and Claude Miller's La Petite Voleuse (1988) S Harris French Cultural Studies 14 (3), 299-309, 2003 | 4 | 2003 |