| The contemporary femme fatale: Gender, genre and American cinema K Farrimond Routledge, 2017 | 80 | 2017 |
| ‘Stay Still So We Can See Who You Are’: Anxiety and Bisexual Activity in the Contemporary Femme Fatale Film K Farrimond Journal of Bisexuality 12 (1), 138-154, 2012 | 23 | 2012 |
| The Slut That Wasn’t: Virginity, (Post)Feminism and Representation in Easy A K Farrimond Postfeminism and Contemporary Hollywood Cinema, 44-59, 2013 | 19 | 2013 |
| Postfeminist noir: brutality and retro aesthetics in The Black Dahlia K Farrimond Film & History: An Interdisciplinary Journal 43 (2), 34-49, 2013 | 17 | 2013 |
| Bad girls in crisis: The new teenage femme fatale K Farrimond Women on Screen: Feminism and Femininity in Visual Culture, 77-89, 2011 | 13 | 2011 |
| Beyond backlash: the femme fatale in contemporary American cinema KM Farrimond Newcastle University, 2012 | 12 | 2012 |
| ‘Being a horror fan and being a feminist are often a conflicting business’: Feminist horror, the opinion economy and Teeth’s gendered audiences K Farrimond Horror Studies 11 (2), 149-168, 2020 | 11 | 2020 |
| Supernatural hymens and bodies from hell: Screening virginity through the gothic body K Farrimond Gender and Sexuality in Contemporary Popular Fantasy, 150-164, 2016 | 5 | 2016 |
| “Mom! You Look So Thin!’: Constructions of Femininity across the Space-Time Continuum.” K Farrimond The Worlds of Back to the Future: Critical Essays on the Films, 157-73, 2010 | 3 | 2010 |
| Imagining women's violence: the femme fatale K Farrimond The Emerald International Handbook of Feminist Perspectives on Women’s Acts …, 2023 | | 2023 |
| Q&A with Dr Katherine Farrimond, book reviews editor of Feminist Theory journal K Farrimond LSE Review of Books, 2018 | | 2018 |
| Transgressive bodies: Representations in film and popular culture Niall Richardson K Farrimond Feminist Theory 14 (3), 367-369, 2013 | | 2013 |
| BEYOND BACKLASH K FARRIMOND | | 2011 |
| Karyn Kusama K Farrimond University of Sussex, 0 | | |
| Nicholas Fisk K Farrimond University of Sussex, 0 | | |
| Glamour, nostalgia and film memory: contemporary popular culture and the femme fatale K Farrimond University of Sussex, 0 | | |
