| An introduction to television studies J Bignell, F Woods Routledge, 2022 | 709 | 2022 |
| Classed femininity, performativity, and camp in British structured reality programming F Woods Television & New Media 15 (3), 197-214, 2014 | 61 | 2014 |
| Girls Talk: Authorship and Authenticity in the Reception of Lena Dunham's Girls F Woods Critical Studies in Television 10 (2), 37-54, 2015 | 55 | 2015 |
| British youth television: Transnational teens, industry, genre F Woods Springer, 2016 | 52 | 2016 |
| Too Close for Comfort: Direct Address and the Affective Pull of the Confessional Comic Woman in Chewing Gum and Fleabag F Woods Communication Culture & Critique 12 (2), 194-212, 2019 | 44 | 2019 |
| Traveling Without a Passport:‘Original’streaming content in the transatlantic distribution ecosystem K Petruska, F Woods Oxford University Press, 2019 | 33 | 2019 |
| Nostalgia, music and the television past revisited in American dreams F Woods Music, Sound, and the Moving Image 2 (1), 27-50, 2008 | 20 | 2008 |
| Teen TV Meets T4: Assimilating The O.C. into British Youth Television F Woods Critical Studies in Television 8 (1), 14-35, 2013 | 14 | 2013 |
| Period drama F Woods Edinburgh University Press, 2021 | 12 | 2021 |
| Streaming British youth television: Online BBC Three as a transitional moment F Woods Cinema Journal 57 (1), 140-146, 2017 | 12 | 2017 |
| Storytelling in song: Television music, narrative and allusion in The OC F Woods Television Aesthetics and Style, 199-208, 2013 | 12 | 2013 |
| Generation gap? mother, daughters, and music F Woods McFarland, 2008 | 12 | 2008 |
| Telefantasy Tower Blocks: Space, Place and Social Realism Shake-ups in Misfits F Woods Journal of British Cinema and Television 12 (2), 229-244, 2015 | 9 | 2015 |
| Wainwright's West Yorkshire: affect and landscape in the television drama of Sally Wainwright F Woods Journal of British Cinema and Television 16 (3), 346-366, 2019 | 8 | 2019 |
| BBC Three: Youth television and platform neutral public service broadcasting F Woods From networks to Netflix, 297-307, 2018 | 6 | 2018 |
| Is This England'86 and'88? Memory, haunting and return through television seriality D Rolinson, F Woods Shane Meadows: Critical Essays, 2013 | 5 | 2013 |
| Chapter 14. My Generation (s): Cycles, Branding, and Renewal in E4’s Skins F Woods Cycles, Sequels, Spin-offs, Remakes, and Reboots: Multiplicities in Film and …, 2016 | 4 | 2016 |
| Is this England D Rolinson, F Woods | 4 | 2013 |
| British Youth Drama: Space, Place, Authenticity and Intimacy F Woods, F Woods British Youth Television: Transnational Teens, Industry, Genre, 69-106, 2016 | 2 | 2016 |
| Conclusion: A short-form future? F Woods, F Woods British Youth Television: Transnational Teens, Industry, Genre, 225-251, 2016 | 2 | 2016 |
