| Integrating Language and Literature: Teaching Textual Analysis with Input and Output Activities and an Input‐to‐Output Approach S Weber‐Fève Foreign Language Annals 42 (3), 453-467, 2009 | 44 | 2009 |
| Re-hybridizing transnational domesticity and femininity: women's contemporary filmmaking and lifewriting in France, Algeria, and Tunisia S Weber-F&ève Lexington Books, 2010 | 24 | 2010 |
| Liaisons: an introduction to French W Wong, S Weber-Feve, E Ousselin, B VanPatten Cengage Learning, 2012 | 15* | 2012 |
| Housework and Dance as Counterpoints in French-Tunisian Filmmaker Raja Amari's Satin rouge S Weber-Fève Quarterly Review of Film and Video 27 (1), 1-13, 2009 | 8 | 2009 |
| There's no place like home: homemaking, making home, and femininity in contemporary women's filmmaking and the literature of the MÉTROPOL and the MAGHREB SA Weber-Fève The Ohio State University, 2006 | 8 | 2006 |
| Framing the “Minor” in Marjane Satrapi and Vincent Paronnaud's Persepolis S Weber-Fève Contemporary French and Francophone Studies 15 (3), 321-328, 2011 | 7 | 2011 |
| Being and Becoming Visible: Women, Performance, and Visual Culture OM Mesropova, S Weber-Fève Johns Hopkins University Press, 2010 | 7 | 2010 |
| Assia Djebar as Film Theorist in" Touchia: Ouverture" and" Ces voix qui m'assiègent" SA Weber-Feve The French Review, 542-550, 2008 | 6 | 2008 |
| A Writing Design: Using Abstracts in the Writing Process S Weber-Fève The French Review, 1255-1267, 2009 | 3 | 2009 |
| Belonging and Distantiation: Reading Marjane Satrapi and Vincent Paronnaud's Poulet aux prunes in Relation to Cinéma-monde S Weber-Fève JCMS: Journal of Cinema and Media Studies 61 (1), 99-122, 2021 | 1 | 2021 |
| Encore Intermediate French, Student Text: Niveau Intermediaire W Wong, S Weber-Fève, A Lair, B VanPatten Cengage Learning, 2016 | 1* | 2016 |
| French Language and Cultures for the Professions: A Case Study for the Twenty-First Century S Weber-Feve FRENCH REVIEW 87 (3), 35-49, 2014 | 1 | 2014 |
| ‘Free women,’ experiential aesthetics, and embodied spectatorship in Malgorzata Szumowska’s Elles (2011) S Weber-Fève Studies in European Cinema, 1-20, 2020 | | 2020 |
| How Can I Do This Better Next Time Around? Implementing Backward Design in Your Classroom S Weber-Fève Center for Excellence in Learning and Teaching, 2018 | | 2018 |
| The comparison and its expression in French S Weber-Feve FRENCH REVIEW 89 (3), 188-189, 2016 | | 2016 |
| Literary writing practices at the university S Weber-Feve FRENCH REVIEW 88 (3), 283-284, 2015 | | 2015 |
| Pratiques d'écriture littéraire à l'université éd. par Violaine Houdart-Merot, Christine Mongenot S Weber-Fève The French Review 88 (3), 283-284, 2015 | | 2015 |
| Presenting Female Iconography at Home with Leïla Sebbar’ S Weber-Fève | | 2014 |
| The encounter of languages in the French cinema: Quebec, sub-Saharan Africa, FRance and North Africa S Weber-Feve FRENCH REVIEW 85 (3), 608-609, 2012 | | 2012 |
| La rencontre des langues dans le cinéma francophone: Québec Afrique subsaharienne, France-Maghreb S Weber-Fève The French Review 85 (3), 608-609, 2012 | | 2012 |
