| The Petrie collection of the ancient music of Ireland G Petrie, D Cooper University of Cork Press, 2002 | 141* | 2002 |
| The musical traditions of Northern Ireland and its diaspora: Community and conflict D Cooper Routledge, 2017 | 74 | 2017 |
| Bernard Herrmann's Vertigo: a film score handbook D Cooper Greenwood, 2001 | 73 | 2001 |
| Bartók: Concerto for Orchestra D Cooper Cambridge University Press, 1996 | 49 | 1996 |
| Béla Bartók D Cooper Yale University Press, 2015 | 39 | 2015 |
| Bernard Herrmann’s The Ghost and Mrs Muir: A Film Score Guide D Cooper Muir: A Film Score, 2005 | 35* | 2005 |
| The Mediterranean in music: critical perspectives, common concerns, cultural differences D Cooper, K Dawe Scarecrow Press, 2005 | 34* | 2005 |
| Embracing the composer: optical recognition of handwritten manuscripts K Ng, D Cooper, E Stefani, R Boyle, N Bailey ICMC, 1999 | 26 | 1999 |
| Béla Bartók and the Question of Race Purity in Music D Cooper Musical Constructions of Nationalism: Essays on the History of European …, 2001 | 25 | 2001 |
| Art and ideology in European opera: essays in honour of Julian Rushton R Cowgill, D Cooper, C Brown Boydell & Brewer, 2010 | 21* | 2010 |
| Ethnomusicology in the laboratory: From the tonometer to the digital melograph D Cooper, I Sapiro Ethnomusicology Forum 15 (2), 301-313, 2006 | 20 | 2006 |
| Has classical music a fractal nature?—A reanalysis B Henderson-Sellers, D Cooper Computers and the Humanities 27, 277-284, 1993 | 20 | 1993 |
| A monophonic pitch-tracking algorithm based on waveform periodicity determinations using landmark points D Cooper, KC Ng Computer Music Journal 20 (3), 70-78, 1996 | 19 | 1996 |
| Fife and fiddle: Protestants and traditional music in Northern Ireland D Cooper Music and conflict 89, 89-106, 2010 | 17 | 2010 |
| Film Form and Musical Form in Bernard Herrmann's Score to Vertigo D Cooper Journal of Film Music 1 (2/3), 239-248, 2009 | 17* | 2009 |
| Bluebeard's legacy: death and secrets from Bartók to Hitchcock G Pollock, V Anderson (No Title), 2009 | 17 | 2009 |
| The unfolding of tonality in the music of Béla Bartók D Cooper Music analysis, 21-38, 1998 | 16 | 1998 |
| Automatic detection of tonality using note distribution K Ng, R Boyle, D Cooper Journal of New Music Research 25 (4), 369-381, 1996 | 14 | 1996 |
| Low-and high-level approaches to optical music score recognition KC Ng, RD Boyle, D Cooper IEE Colloquium on Document Image Processing and Multimedia Environments, 3/1-3/6, 1995 | 14 | 1995 |
| Music and conflict S Araujo, W Beeman, S Blum, D Cooper, K Howard, I Naroditskaya, ... University of Illinois Press, 2010 | 13* | 2010 |
Kia NgICSRiM - University of LeedsE-mail megerősítve itt: leeds.ac.uk
