| Beethoven’s last piano sonata and those who follow crocodiles: Cross-domain mappings of auditory pitch in a musical context Z Eitan, R Timmers Cognition 114 (3), 405-422, 2010 | 333 | 2010 |
| Multimodal analysis of expressive gesture in music and dance performances A Camurri, B Mazzarino, M Ricchetti, R Timmers, G Volpe Gesture-Based Communication in Human-Computer Interaction: 5th International …, 2004 | 327 | 2004 |
| Expression and communication of emotion in music performance PN Juslin, R Timmers Handbook of music and emotion: Theory, research, applications, 453-489, 2010 | 319 | 2010 |
| Expressiveness in music performance: Empirical approaches across styles and cultures D Fabian, R Timmers, E Schubert Oxford University Press (UK), 2014 | 171 | 2014 |
| “Help! I need somebody”: music as a global resource for obtaining wellbeing goals in times of crisis R Granot, DH Spitz, BR Cherki, P Loui, R Timmers, RS Schaefer, ... Frontiers in psychology 12, 648013, 2021 | 104 | 2021 |
| Synchronization and leadership in string quartet performance: a case study of auditory and visual cues R Timmers, S Endo, A Bradbury, AM Wing Frontiers in Psychology 5, 645, 2014 | 85 | 2014 |
| When the sound becomes the goal. 4E cognition and teleomusicality in early infancy A Schiavio, D van der Schyff, S Kruse-Weber, R Timmers Frontiers in psychology 8, 1585, 2017 | 69 | 2017 |
| Vibrato: The questions and answers from musicians and science R Timmers, PWM Desain Keele Univ, Department of Psychology, 2000 | 69 | 2000 |
| Listeners' emotional engagement with performances of a Scriabin étude: an explorative case study R Timmers, M Marolt, A Camurri, G Volpe Psychology of Music 34 (4), 481-510, 2006 | 63 | 2006 |
| The multi-hub academic conference: global, inclusive, culturally diverse, creative, sustainable R Parncutt, PM Lindborg, N Meyer-Kahlen, R Timmers Frontiers in Research Metrics and Analytics 6, 699782, 2021 | 54 | 2021 |
| The Routledge companion to music cognition R Ashley, R Timmers Routledge, 2017 | 53 | 2017 |
| Emotional ornamentation in performances of a Handel sonata R Timmers, R Ashley Music Perception 25 (2), 117-134, 2007 | 52 | 2007 |
| Vocal expression in recorded performances of Schubert songs R Timmers Musicae Scientiae 11 (2), 237-268, 2007 | 51 | 2007 |
| The influence of musical context on tempo rubato R Timmers, R Ashley, P Desain, H Heijink Journal of New Music Research 29 (2), 131-158, 2000 | 50 | 2000 |
| Teaching young musicians expressive performance: an experimental study H Meissner, R Timmers Music Education Research 21 (1), 20-39, 2019 | 49 | 2019 |
| Expressive Music Performance M Doğantan-Dack Expressiveness in music performance: Empirical approaches across styles and …, 2014 | 48 | 2014 |
| Perception of isolated chords: Examining frequency of occurrence, instrumental timbre, acoustic descriptors and musical training Y Arthurs, AV Beeston, R Timmers Psychology of Music 46 (5), 662-681, 2018 | 46 | 2018 |
| Real-time visual feedback for learning to perform short rhythms with expressive variations in timing and loudness M Sadakata, D Hoppe, A Brandmeyer, R Timmers, P Desain Journal of New Music Research 37 (3), 207-220, 2008 | 43 | 2008 |
| On music performance, theories, measurement and diversity R Timmers, H Honing Cognitive processing 1 (2), 1-19, 2002 | 43 | 2002 |
| Timing of ornaments in the theme from Beethoven's Paisiello Variations: Empirical Data and a Model R Timmers, R Ashley, P Desain, H Honing, WL Windsor Music Perception 20 (1), 3-33, 2002 | 41 | 2002 |
Peter DesainProfessor of artificial intelligence, Radboud University NijmegenE-mail megerősítve itt: donders.ru.nl
