Roberto Bresin

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Coauteurs

Anders FribergKTH Royal Institute of TechnologyAdresse e-mail validée de kth.se
Gaël DubusKTH Royal Institute of Technology, IRCAMAdresse e-mail validée de ircam.fr
Emma FridPostdoc at IRCAM / KTHAdresse e-mail validée de kth.se
Patrik N. JuslinProfessor of Psychology, Uppsala UniversityAdresse e-mail validée de psyk.uu.se
Giovanni De PoliFull Professor of Computer Engineering, University of PadovaAdresse e-mail validée de dei.unipd.it
Ludvig ElblausKMH Royal College of Music, StockholmAdresse e-mail validée de ludvigelblaus.com
Werner GoeblProfessor, Head of Department of Music Acoustics, mdw – University of Music and Performing ArtsAdresse e-mail validée de mdw.ac.at
Sofia DahlAssociate Professor in Music perception and Cognition, Aalborg UniversityAdresse e-mail validée de create.aau.dk
Davide RocchessoProfessor. Università degli Studi di MilanoAdresse e-mail validée de unimi.it
Bruno L. GiordanoCNRS - Institut de Neurosciences de la Timone (INT)Adresse e-mail validée de univ-amu.fr
Dr Sandra PaulettoAssociate Professor at KTH Royal Institute of Technology, SwedenAdresse e-mail validée de kth.se
Yon VisellUniversity of California, Santa BarbaraAdresse e-mail validée de ece.ucsb.edu
Adrian B. LatupeirissaKTH Royal Institute of Technology, SwedenAdresse e-mail validée de kth.se
Antonio CamurriProfessor, University of Genoa, ItalyAdresse e-mail validée de unige.it
Federico FontanaAssociate Professor, University of Udine - ItalyAdresse e-mail validée de uniud.it
Thomas HermannSenior Lecturer, Bielefeld UniversityAdresse e-mail validée de techfak.uni-bielefeld.de
Patrick SusiniSTMS (Ircam, CNRS, SU)Adresse e-mail validée de ircam.fr
Stefania SerafinAalborg UniversityAdresse e-mail validée de create.aau.dk
Gualtiero VolpeDIBRIS - University of GenovaAdresse e-mail validée de unige.it
Maurizio ManciniSapienza University of RomeAdresse e-mail validée de di.uniroma1.it

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Roberto Bresin

Professor of Media Technology, KTH Royal Institute of technology

Adresse e-mail validée de kth.se - Page d'accueil

Sound and music computing Music and Emotions Sonic Interaction Design Sonification Music Performance


Titre Trier par citations Trier par année Trier par titre	Citée par Citée par	Année
A dimensional approach to vocal expression of emotion P Laukka, P Juslin, R Bresin Cognition & Emotion 19 (5), 633-653, 2005	392	2005
Overview of the KTH rule system for musical performance A Friberg, R Bresin, J Sundberg Advances in Cognitive Psychology 2 (2-3), 145-161, 2006	370	2006
A Systematic Review of Mapping Strategies for the Sonification of Physical Quantities (vol 8, e82491, 2013) G Dubus, R Bresin PLOS ONE 9 (4), 2013	350*	2013
“Expressivity comes from within your soul”: A questionnaire study of music students' perspectives on expressivity E Lindström, PN Juslin, R Bresin, A Williamon Research Studies in Music Education 20 (1), 23-47, 2003	286	2003
Emotional coloring of computer-controlled music performances R Bresin, A Friberg Computer Music Journal 24 (4), 44-63, 2000	277	2000
Toward a computational model of expression in music performance: The GERM model PN Juslin, A Friberg, R Bresin Musicae scientiae 5 (1_suppl), 63-122, 2001	227	2001
Emotional expression in music: contribution, linearity, and additivity of primary musical cues T Eerola, A Friberg, R Bresin Frontiers in psychology 4, 487, 2013	195	2013
Emotion rendering in music: range and characteristic values of seven musical variables R Bresin, A Friberg cortex 47 (9), 1068-1081, 2011	167	2011
Gestures in performance S Dahl, F Bevilacqua, R Bresin, M Clayton, L Leante, I Poggi, ... Musical gestures: Sound, movement, and meaning, 36-68, 2009	150	2009
Sounding objects D Rocchesso, R Bresin, M Fernstrom IEEE MultiMedia 10 (2), 42-52, 2003	137	2003
Articulation Strategies in Expressive Piano Performance Analysis of Legato, Staccato, and Repeated Notes in Performances of the Andante Movement of Mozart’s Sonata in G Major … R Bresin, GU Battel Journal of New Music Research 29 (3), 211-224, 2000	130	2000
Is the player more influenced by the auditory than the tactile feedback from the instrument S Dahl, R Bresin Proc. of the COST-G6 Workshop on Digital Audio Effects (DAFx-01), Limerick …, 2001	127*	2001
Affective diary: designing for bodily expressiveness and self-reflection M Lindström, A Ståhl, K Höök, P Sundström, J Laaksolathi, M Combetto, ... CHI'06 extended abstracts on Human factors in computing systems, 1037-1042, 2006	120	2006
Artificial neural networks based models for automatic performance of musical scores R Bresin Journal of New Music Research 27 (3), 239-270, 1998	118	1998
Sound design and perception in walking interactions Y Visell, F Fontana, BL Giordano, R Nordahl, S Serafin, R Bresin International Journal of Human-Computer Studies 67 (11), 947-959, 2009	114	2009
What is the color of that music performance? R Bresin ICMC, 2005	97	2005
Sonic interaction design: sound, information and experience D Rocchesso, S Serafin, F Behrendt, N Bernardini, R Bresin, G Eckel, ... CHI'08 Extended Abstracts on Human Factors in Computing Systems, 3969-3972, 2008	93	2008
Articulation Rules For Automatic Music Performance. R Bresin ICMC, 2001	91	2001
‘Sense’in Expressive Music Performance: Data Acquisition, Computational Studies, and Models W Goebl, S Dixon, G De Poli, A Friberg, R Bresin, G Widmer Cirotteau, Damien (Ed.): Sound to Sense, Sense to Sound: A State-of-the-Art …, 2008	87	2008
Musical punctuation on the microlevel: Automatic identification and performance of small melodic units A Friberg, R Bresin, L Frydén, J Sundberg Journal of New Music Research 27 (3), 271-292, 1998	85	1998

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