| Rhythmanalysis: the line as a record of the moving present J Graham Journal of Visual Art Practice 14 (1), 54-71, 2015 | 8 | 2015 |
| Recording the stream of consciousness: a practice-led study of serial drawing J Graham Loughborough University, 2015 | 6 | 2015 |
| Time taken and time told: Serial drawing as the becoming of now J Graham Drawing: Research, Theory, Practice 1 (1), 59-78, 2016 | 4 | 2016 |
| Serial Drawing: Space, Time and the Art Object J Graham Bloomsbury Publishing, 2021 | 3 | 2021 |
| Nine Drawings: seriality, postphenomenology and the force of time J Graham Journal of Visual Art Practice 17 (1), 41-66, 2018 | 2 | 2018 |
| Seeing serially: Harman’s object-oriented ontology encountering serial drawing J Graham Journal of Aesthetics and Phenomenology 10 (1), 1-16, 2023 | 1 | 2023 |
| ANCHORAGE: a phenomenology of outline J Graham Journal for Artistic Research 2017 (12), 2017 | 1 | 2017 |
| Anchor J Graham Marmalade Publishers of Visual Theory, 2015 | 1 | 2015 |
| Sources of the Signal: a phenomenology of place within the performance of drawing J Graham WN, 2006 | 1 | 2006 |
| Waking the ruin: Graham Harman’s object-oriented ontology, photogrammetry and the dami of Imbros S Ercan, J Graham Cogent Arts & Humanities 12 (1), 2457225, 2025 | | 2025 |
| Eighteen Drawings: The Colour of Time J Graham Body, Space, and Place in Collective and Collaborative Drawing: Drawing …, 2020 | | 2020 |
| The Point that Moves: Drawing and the Phenomenological Reduction as a Shared Practice of Seeing J Graham Consciousness, Theatre, Literature and the Arts 2013, 167, 2014 | | 2014 |
Dr Sevcan ErcanLecturer of Architecture, Istanbul Medeniyet Universityایمیل تأیید شده در medeniyet.edu.tr