| One ring, many circles: The Hobbiton tour experience and a spatial approach to media power RM Peaslee Tourist Studies 11 (1), 37-53, 2011 | 67 | 2011 |
| The joker: A serious study of the clown prince of crime RM Peaslee, RG Weiner Univ. Press of Mississippi, 2015 | 46 | 2015 |
| Flat-smacked! Converting to flat eartherism A Olshansky, RM Peaslee, AR Landrum Journal of media and religion 19 (2), 46-59, 2020 | 44 | 2020 |
| ‘The man from New Line knocked on the door’: Tourism, media power, and Hobbiton/Matamata as boundaried space R Moses Peaslee Tourist Studies 10 (1), 57-73, 2010 | 36 | 2010 |
| Marvel comics into film: Essays on adaptations since the 1940s MJ McEniry, RM Peaslee, RG Weiner McFarland, 2016 | 21 | 2016 |
| “It's Fine as Long as You Draw, But Don't Film”: Waltz with Bashir and the Postmodern Function of Animated Documentary RM Peaslee Visual Communication Quarterly 18 (4), 223-235, 2011 | 21 | 2011 |
| Lady Haha: Performativity, Super-Sanity, and the Mutability of Identity RM Peaslee, RG Weiner The Joker: A serious study of the clown prince of crime, 33-48, 2015 | 14 | 2015 |
| The media festival volunteer: Connecting online and on-ground fan labor RM Peaslee, J El-Khoury, A Liles Transformative Works and Cultures 15, 2014 | 13 | 2014 |
| Media conduction: festivals, networks, and boundaried spaces RM Peaslee International Journal of Communication 7, 20-20, 2013 | 10 | 2013 |
| Superheroes,“moral economy”, and the “iron cage”: Morality, alienation, and the super-individual RM Peaslee Super/heroes: From Hercules to Superman, 37-50, 2007 | 10 | 2007 |
| Web-Spinning Heroics: Critical Essays on the History and Meaning of Spider-Man RM Peaslee, RG Weiner McFarland, 2014 | 9 | 2014 |
| The expediency of hybridity: Beijing 2008 RM Peaslee, SLC Berggreen The Olympics, Media and Society, 45-65, 2015 | 8 | 2015 |
| Introduction: It's aall about the villain! RG Weiner, RM Peaslee, D Prettyman The supervillain reader, 1-2, 2020 | 6 | 2020 |
| The Supervillain Reader RM Peaslee, RG Weiner Univ. Press of Mississippi, 2019 | 6 | 2019 |
| Game of Thrones, Tourism, and the Ethics of Adaptation RM Peaslee, R Vasquez Adaptation 14 (2), 221-242, 2021 | 5 | 2021 |
| The host city:(Re) locating media events in the network era. RM Peaslee, B Kredell Interactions: Studies in Communication & Culture 5 (2), 2014 | 3 | 2014 |
| Reinterpreting Myths in Spider-Man: The Animated Series DR Carter, RM Peaslee, RG Weiner Web-Spinning Heroics, 210-221, 2012 | 3 | 2012 |
| ‘There and back again,’but where?: Tourism,“The Lord of the Rings”, and media power RM Peaslee University of Colorado at Boulder, 2007 | 2 | 2007 |
| ‘With Great Power Comes Great Responsibility’: Central psychoanalytic motifs in Spider-Man and Spider-Man 2 R Peaslee PSYART: An Online Journal for the Psychological Study of the Arts, 2005 | 2 | 2005 |
| The Supervillain Reader RG Weiner, RM Peaslee University Press of Mississippi, 2020 | 1 | 2020 |