| Cultural heritage and risk assessments: Gaps, challenges, and future research directions for the inclusion of heritage within climate change adaptation and disaster management K Crowley, R Jackson, S O'connell, D Karunarthna, E Anantasari, ... Climate Resilience and Sustainability 1 (3), e45, 2022 | 33 | 2022 |
| Tonal Landscapes: Re-membering the interiority of lives of apartheid through the family album of the oppressed S O'Connell | 11 | 2012 |
| Injury, Illumination and Freedom: Thinking about the Afterlives of Apartheid through the Family Albums of District Six, Cape Town S O’Connell International journal of transitional justice 9 (2), 297-315, 2015 | 8 | 2015 |
| A Search for the Human in the Shadow of Rhodes S O'Connell Ufahamu: A Journal of African Studies 38 (3), 2015 | 8 | 2015 |
| The aftermath of oppression: in search of resolution through family photographs of the forcibly removed of District Six, Cape Town S O’Connell Social Dynamics 40 (3), 589-596, 2014 | 7 | 2014 |
| Impossible Return: Cape Town's Forced Removals S O'Connell Kwela Books, 2019 | 6 | 2019 |
| Apartheid Afterlives: Imagining Freedom in the Aftermath of Racial Oppression in Cape Town, South Africa S O’Connell Third Text 32 (1), 32-45, 2018 | 5 | 2018 |
| Snapshots of Freedom: Street Photography in Cape Town from the 1930s to the 1980s S O’Connell Image & Text: a Journal for Design 29 (1), 219-234, 2017 | 4 | 2017 |
| Potential pesticide contamination in repatriated artifacts in African museums: the need for the adoption of safety protocols for access and use of hazardous artifacts D Chiwara, S O'Connell, M Loubser Journal of the American Institute for Conservation 62 (4), 337-346, 2023 | 3 | 2023 |
| A Bone to Pick: Curation vs Repatriation-Understanding the Contestation of Human Remains in South African Museums (at Ditsong National Museum of Cultural History) IN Masiteng PQDT-Global, 2019 | 3 | 2019 |
| Archive, Injury, and Image: Imaging Freedom through The Photographic Archive of the Racially Oppressed S O’Connell Critical Interventions 12 (2), 184-196, 2018 | 3 | 2018 |
| No hunting: finding a new f. stop for the Bushmen S O'Connell | 3 | 2008 |
| Hanging on a Wire R Rohde, S O'Connell | 2* | 2016 |
| Memory, Heritage and the Spaces Between: A District Six Museum Biography B Bennett PQDT-Global, 2021 | 1 | 2021 |
| These are dresses that are stitched with dreams: Struggle, Freedom and the Women of the Clothing and Textile Industry of the Western Cape. S O'Connell Alternation 26, 2019 | 1 | 2019 |
| The Spring Queen pageant and the postapartheid archive S O’Connell Safundi 18 (2), 168-176, 2017 | 1 | 2017 |
| An impossible return S O'Connell | 1 | 2015 |
| Martyrs, Saints & Sell-Outs: The photographs of Benny Gool, Adil Bradlow & Zubeida Vallie S O'Connell Centre for Curating the Archive, University of Cape Town, 2013 | 1 | 2013 |
| Vroedvrou (documentary film) S O'Connell https://www.youtube.com/watch?v=F2ZLTqpJQwQ, 2024 | | 2024 |
| KUNDA (Documentary film) S O'Connell https://m.youtube.com/watch?v=b31k8n0FCmI, 2024 | | 2024 |
Esti AnantasariPeneliti, Universitas Gadjah MadaDirección de correo verificada de ugm.ac.id
