Second-generation Holocaust literature: Legacies of survival and perpetration EH McGlothlin Camden House, 2006 | 213 | 2006 |
No Time Like the Present: Narrative and Time in Art Spiegelman's" Maus" E McGlothlin Narrative 11 (2), 177-198, 2003 | 98 | 2003 |
Theorizing the Perpetrator in Bernhard Schlink’s The Reader and Martin Amis’s Time’s Arrow E McGlothlin After Representation? The Holocaust, Literature, and Culture, 210-30, 2010 | 69 | 2010 |
Empathetic identification and the mind of the holocaust perpetrator in fiction: A proposed taxonomy of response E McGlothlin Narrative 24 (3), 251-276, 2016 | 67 | 2016 |
The Mind of the Holocaust Perpetrator in Fiction and Nonfiction E McGlothlin Wayne State University Press, 2021 | 45 | 2021 |
Perpetrator trauma E McGlothlin The Routledge companion to literature and trauma, 100-110, 2020 | 32 | 2020 |
After representation?: the Holocaust, literature, and culture M Rothberg, E McGlothlin, G Hartman, S Horowitz, P Schweitzer, B Lang, ... Rutgers University Press, 2009 | 32 | 2009 |
Narrative Perspective and the Holocaust Perpetrator: Edgar Hilsenrath’s The Nazi and the Barber and Jonathan Littell’s E McGlothlin The Bloomsbury companion to Holocaust literature, 159, 2014 | 24 | 2014 |
'When Time Stands Still': Traumatic Immediacy and Narrative Organization in Art Spiegelman's Maus and In the Shadow of No Towers E McGlothlin The Jewish graphic novel: Critical approaches, 94-110, 2008 | 20 | 2008 |
Narrative Transgression in Edgar Hilsenrath's Der Nazi und der Friseur and the Rhetoric of the Sacred in Holocaust Discourse E McGlothlin The German Quarterly, 220-239, 2007 | 20 | 2007 |
Autobiographical Re-vision: Ruth Klüger's weiter leben and Still Alive E McGlothlin Gegenwartsliteratur 3, 46, 2004 | 17 | 2004 |
After the digital divide?: German aesthetic theory in the age of new media LP Koepnick, EH McGlothlin Camden House, 2009 | 15 | 2009 |
Writing by Germany’s Jewish Minority E McGlothlin, S Taberner Contemporary German Fiction: Writing in the Berlin Republic. Cambridge …, 2007 | 12 | 2007 |
The Construction of Testimony: Claude Lanzmann's Shoah and Its Outtakes E McGlothlin, B Prager, M Zisselsberger Wayne State University Press, 2020 | 9 | 2020 |
Persistent legacy E McGLOTHLIN, MK Jennifer The Holocaust and German Studies, Camden House, Rochester, New York, 2016 | 8 | 2016 |
‘The doctor is different’ Ambivalent ethics, cinematic heroics and the Figure of the Jewish Doctor in Tim Blake nelson’s The Grey Zone E McGlothlin Holocaust Cinema in the Twenty-First Century: Images, Memory, and the Ethics …, 2015 | 8 | 2015 |
The Voice of the Perpetrator, the Voices of the Survivors E McGlothlin Erin McGlothlin/Jennifer M. Kapczynski (Hg.): Persistent Legacy. The …, 2016 | 7 | 2016 |
Listening to the Perpetrators in Claude Lanzmann's" Shoah" E McGlothlin Colloquia Germanica 43 (3), 235-271, 2010 | 7 | 2010 |
Persistent Legacy: The Holocaust and German Studies EH McGlothlin, JM Kapczynski Boydell & Brewer, 2016 | 6 | 2016 |
Art Spiegelman and autobioGRAPHICal Re-vision E McGlothlin Graphic Subjects: Critical Essays on Autobiography and Graphic Novels, 45-50, 2011 | 6 | 2011 |