| Interacting with generative music through live coding AR Brown, A Sorensen Contemporary Music Review 28 (1), 17-29, 2009 | 108 | 2009 |
| Impromptu: An interactive programming environment for composition and performance AC Sorensen Proceedings of the Australasian Computer Music Conference 2005, 2005 | 92 | 2005 |
| Programming with time: cyber-physical programming with impromptu A Sorensen, H Gardner Proceedings of the ACM international conference on Object oriented …, 2010 | 86 | 2010 |
| aa-cell in practice: An approach to musical live coding AC Sorensen, AR Brown Proceedings of the International Computer Music Conference, 292-299, 2007 | 83* | 2007 |
| Integrating creative practice and research in the digital media arts AR Brown, A Sorensen Practice-led research, research-led practice in the creative arts, 154-165, 2009 | 54 | 2009 |
| Introducing jmusic AC Sorensen, AR Brown Proceedings of the Australasian Computer Music Conference, 68-76, 2000 | 49* | 2000 |
| Visual code annotations for cyberphysical programming B Swift, A Sorensen, H Gardner, J Hosking 2013 1st International Workshop on Live Programming (LIVE), 27-30, 2013 | 40 | 2013 |
| The cube: a very large-scale interactive engagement space M Rittenbruch, A Sorensen, J Donovan, D Polson, M Docherty, J Jones Proceedings of the 2013 ACM international conference on Interactive …, 2013 | 37 | 2013 |
| A communication model and partitioning algorithm for streaming applications for an embedded MPSoC W Kelly, M Flasskamp, G Sievers, J Ax, J Chen, C Klarhorst, C Ragg, ... International Symposium on System-on-Chip (SoC), 1-6, 2014 | 19 | 2014 |
| The many meanings of live coding A Sorensen, B Swift, A Riddell Computer Music Journal 38 (1), 65-76, 2014 | 16 | 2014 |
| A distributed memory for networked livecoding performance A Sorensen 2010 International Computer Music Conference Proceedings, 530-533, 2010 | 15 | 2010 |
| Extempore: The design, implementation and application of a cyber-physical programming language AC Sorensen The Australian National University, 2018 | 14 | 2018 |
| A computational model for the generation of orchestral music in the Germanic symphonic tradition: A progress report AC Sorensen, AR Brown Sound : Space - The Australasian Computer Music Conference 2008, 78-84, 2008 | 11 | 2008 |
| Systems level liveness with extempore A Sorensen, H Gardner Proceedings of the 2017 ACM SIGPLAN International Symposium on New Ideas …, 2017 | 9 | 2017 |
| Evolving Interactions: Agile design for networked media performance AR Brown, S Dillon, T Kerr, A Sorensen Proceedings of the 21st Annual Conference of the Australian Computer-Human …, 2009 | 9 | 2009 |
| Dynamic media arts programming in impromptu AR Brown, A Sorensen Proceedings of the 6th ACM SIGCHI conference on Creativity & Cognition, 245-246, 2007 | 9 | 2007 |
| Coding livecoding B Swift, A Sorensen, M Martin, H Gardner Proceedings of the SIGCHI conference on human factors in computing systems …, 2014 | 8 | 2014 |
| Live programming in scientific simulation B Swift, A Sorensen, H Gardner, P Davis, VK Decyk Supercomputing frontiers and innovations 2 (4), 4-15, 2015 | 7 | 2015 |
| Extempore A Sorensen | 6 | 2011 |
| Disruption and creativity in live coding U Attanayake, B Swift, H Gardner, A Sorensen 2020 ieee symposium on visual languages and human-centric computing (vl/hcc …, 2020 | 5 | 2020 |
Andrew R. BrownGriffith UniversityVerified email at griffith.edu.au